re-read chj's post again; the one directly above yours.cron wrote:Seriously though, (I didn't get right through the thread so sorry if this has already been opined) I think the law is a bit of an ass here. Imagine this - A company creates an instrument in which the sound is electronically generated, then later releases the next generation of that product, the sole difference being that the sounds are stored as samples in memory solely to save on building costs.
The law considers that it's harmful to that company to sample one of its instruments, but not the other, despite the resulting soundsets being identical. Ludicrous. Either the company is being harmed in both instances or it's being harmed in neither.
I really would like someone to manufacture the above situation and let the legal ball roll to see what we get. Well, the law already states what the outcome will be: ludicrous, of course!
The only conclusion I can reach is that judges are lunatic audiophiles who think the samples sound 'warmer' or something.
there probably isnt a law made that someone couldn't contrive an 'edge case' for where the law could be made to look ludicrous for that instance. The purpose of the law isnt to cope with all those potential edge cases; thats what courts and judges do.
In your hypothetical situation, if your hypothetical company did what you hypothesises, then take your hypothetical samplist to hypothetical court, then one could also hypothesis that their hypothetical lawyer might hypothetically get them off...
But the hypothesis doesnt prove the law 'ludicrous', it just underlies that its very specific in its remit; recordings. Not 'the sound that comes out of a box'.
The copyright laws are about the copying specific kinds of artistic work, not the device used to produce or reproduce work.
