+1/+1mrblitz000 wrote:I agree with MajorBloodnok
[...]
looking forward to hearing some great Z3ta+ tracks
Keep on nagging, hehe.
+1/+1mrblitz000 wrote:I agree with MajorBloodnok
[...]
looking forward to hearing some great Z3ta+ tracks

Well this is true, but the time frame would still be the same for everyone?MajorBloodnok wrote:... but there is an argument that those who already own Z3ta+ are very likely to have played about with and to at least be familiar with it, whereas what normally happens in the OSC is that pretty much everyone is introduced to a new synth that they are unfamiliar with and therefore everyone has to learn it, as well as trying to get a decent production out of it in the 30 days or so each OSC takes (in my case this is ancient history of course).


The opposite has been true with me and Z3ta thus far. The extensive controls, morph options, and effects have actually made it difficult for me to produce a sound that's on par with the presets. It's almost like information overload. At least with some of the quirky free synths, I know where to start and what I can tweak to arrive at new sounds. With Z3ta... the possibilities seem almost endless.I have been tinkering with Z3 and I have reached a (probably controversial) conclusion. Commercial synths bore the crap out of me.
I'm saying endless possibilities is the problem!Archon1024 wrote:The opposite has been true with me and Z3ta thus far. The extensive controls, morph options, and effects have actually made it difficult for me to produce a sound that's on par with the presets. It's almost like information overload. At least with some of the quirky free synths, I know where to start and what I can tweak to arrive at new sounds. With Z3ta... the possibilities seem almost endless.I have been tinkering with Z3 and I have reached a (probably controversial) conclusion. Commercial synths bore the crap out of me.
Of course, this is probably because I'm a relatively novice synth user and sound designer.
Ah! I see what you're saying now... about being inspired by limitations and Z3ta not really having any. I feel the same way, then. I actually started entering the OSC as a learning tool to get into electronic music. I figured that the limited scope of using only one synth would be a benefit... by narrowing my options down to something manageable. Thankfully, the synth that was up when I started was TAL NoiseMaker. I hate to think of what would have happened if I tried to start out with Z3ta!gorgorgathgorgorgor wrote:I'm saying endless possibilities is the problem!
Submit: News, Plugins, Hosts & Apps | Advertise @ KVR | Developer Account | About KVR / Contact Us | Privacy Statement
© KVR Audio, Inc. 2000-2026