Hey Urs if you're reading this. Congratulations for the fantastic synthesizers!
I've been demoing both DIVA and Zebra over the last few days and simply can't decide which one to get first.
I currently only use Synth1, and want to upgrade. I've only used subtractive synthesis since I started producing and while I wouldn't call myself a master of it, there are not much things left to discover for me.
Don't get me wrong, I think DIVA has the most beautiful sound I've ever heard of any synthesizer, but in its core, even if you can dive deep into it, it's a subtractive synthesizer and I feel I have discovered most of the range of subtractive synthesis. All the nice characteristic modules, the voice mapping section, the superb effects and the snappy envelopes of DIVA can't really make up for that.
I love plucky chords, snappy basslines, warm pads, and 80s sounds, but I've been getting so much of that lately that I want more than that.
tl;dr:
I produce Deep House and would like these sounds, which I can't do a 100 % with just subtractive sythesis:
- a nice organ
- electric keys
- deep basslines with some FM
- stabs with interesting timbres
DIVA:
+ awesome sound (I really think you're #1 with this. The filter alone is just fantastic. It's the first synth where I actually like turning the resonance knob.)
+ beautiful interface
+ (currently) a lot cheaper than Zebra
0 pretty heavy on the CPU (my early 2011 MacbookPro 13,3" gets hot & loud even on draft mode). but gets me to freeze more, which is usually better for getting things done
- limited sound range (it's a subtractive synth after all, no offence!)
Zebra:
+ huge sound range
+ pretty easy on the CPU
0 don't like the UI so much yet, but maybe I just have to get used to it
- does the sounds DIVA can do slightly worse IMO (if you would hear the difference in the mix is a whole other question...)
Hell, if I had the money, I would buy both right away. But mastering one of those beasts at a time is probably the better idea anyway.
What would you recommend me?
Thanks in advance!

