Few chords but intresting song, how?
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- KVRAF
- 2323 posts since 4 Mar, 2004 from Portugal (Lagos)
Fancier chords/effects/bells&whistles can become more important in the recording/performing stage. Not necessarily in the song writing stage itself.
Eventually something intelligent will appear written here. Watch this space.
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JumpingJackFlash JumpingJackFlash https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=44005
- KVRian
- 1227 posts since 10 Oct, 2004
True, but a mediocre melody with good harmony sounds a lot better than a great melody with poor harmony. (NB: By 'good' I don't necessarily mean always consonant, and the harmony also includes the orchestration and part writing.)jancivil wrote:the memorable thing about a tune, is the tune. people don't go around humming the chord progression really.
Unfamiliar words can be looked up in my Glossary of musical terms.
Also check out my Introduction to Music Theory.
Also check out my Introduction to Music Theory.
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
that's true enough! I remember hearing REM do Wichita Lineman, which is a song I've arranged, performed, and know well, and they didn't find what the changes actually were apparently... and that does not present the song in its best light. But this is just competence vs not.
there is a point where the harmony is the thing and the melody owes to it, Giant Steps by John Coltrane, the whole point is to move the harmony as much as humanly possible and what you do with it, the head itself in fact, is completely dependent on it.
For simple tunes this may be a matter of an arranger's craft. Context...
Somewhere Over the Rainbow is a useful example, it can be harmonized a lot of different ways and you still know the tune. But the tune itself implies certain chords. It's such a strong tune you can bypass the obvious.
there is a point where the harmony is the thing and the melody owes to it, Giant Steps by John Coltrane, the whole point is to move the harmony as much as humanly possible and what you do with it, the head itself in fact, is completely dependent on it.
For simple tunes this may be a matter of an arranger's craft. Context...
Somewhere Over the Rainbow is a useful example, it can be harmonized a lot of different ways and you still know the tune. But the tune itself implies certain chords. It's such a strong tune you can bypass the obvious.