Yes, this will be very important. Customized layout to fit hardware is very important for dynamic hardware mapping. As is sticking to the tried and true groupings of 8.felonytrance wrote:I was trying to see if they had the macro's like live because that makes life so much easier when using keyboards with eight knobs. I could not tell.FarleyCZ wrote:Also the little "drum synths" seems fun. Could be cool to use as base and layer with some sample stuff. I so hope they copied whole racking feature including macros.
About the price: It depends on how much they want to use Ableton's srewed up situation...
They need to get Hanz to do an APC 40 hack for bitwig!?!
Bitwig (!/?)
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Echoes in the Attic Echoes in the Attic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=180417
- KVRAF
- 12066 posts since 12 May, 2008
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- KVRAF
- 1783 posts since 11 Jun, 2005 from Phoenix, Arizona
They allowed the user to create instrument/fx chains. Looked a lot like the flstudio patcher thats out now. However that pic looks like the Bitwig approach is more of an instrument/fx builder, not chainer. I use Bidule to do that type of stuff right now. I'd like to have that ability native in my host though. We'll see.v1o wrote:What did Tracktions racks do?UncleAge wrote:For me, the item in those screen shots that creates the most interest is the "soon to come" modular environment thingy. If they find a way to allow the inclusion of 3rd party instruments and effects then I will have finally found a next gen succesor to Traction's racks.
- KVRAF
- 1931 posts since 23 Sep, 2005
I guess Bitwig's DAW is going to be a direct competitor with Ableton Live !
- KVRAF
- 25049 posts since 12 Jul, 2003 from West Caprazumia
That's utter nonsense. For starters it seems you are comfusing copyright and patent - and then I'm wondering what functionality you are referring to and why you believe Ableton would have a patent on it...luckystrike wrote:Perfect clone of ableto Live. I don't know how will go about copyright issue.
- KVRAF
- 25049 posts since 12 Jul, 2003 from West Caprazumia
I agree with you inasmuch that I would also really really want something like this.Xenakios wrote: Well, since only half-assed implementations (or within otherwise useless(*) applications) of this kind of a thing have existed (in Ext, Reaper and Logic, for example), I wouldn't consider those to have existed at all. BitWig could have had a great chance to nail it for their app at this stage. It's likely too difficult to add later in the application life cycle...But maybe there is some hope, who knows...
(*) IMHO and all that of course.
What is your favourite feature in EnergyXT2 ?
When I cut audio in other sequencers I have all these little snippets on the timeline - and I have to cut audio a lot (e.g. to correct timing-errors, to reduce fret-noise and finger-noise for guitar and bass-guitar and breath-noise and sibilance for vocal-recordings, etc. ).
In eXT however these little snippets all stay inside the audio-part which I just need to double-click to open its editor - it's the same as with midi-parts. With the sequencers I used prior to eXT there was always a lot of zooming in and out involved instead. Also all these snippets on the timeline make it very untidy and also difficult to arrange.
In eXT audio-parts are like containers and in eXT 1.x they even can have an unlimited number of channels i.e. lanes on which you can store, arrange and edit several takes without messing up the timeline. Each channel also has got it's own volume- and pan-control (and also mute- and solo-buttons) and so it's also great for panning two or more takes left and right without needing to use further tracks for it.
http://www.energy-xt.com/index.php?id=0700
But I think we're heading towards OT really fast here.
Last edited by jens on Thu Jan 12, 2012 7:10 pm, edited 2 times in total.
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- KVRist
- 210 posts since 1 Mar, 2010 from nope
I would think that you can't just go out a clone a software program almost to the letter unless as former employees they have some ability to do so. Mabye I'm way off base but I did not imagine that it was going to be Live with some improvements (which is alright by mejens wrote:That's utter nonsense. For starters it seems you are comfusing copyright and patent - and then I'm wondering what functionality you are referring to and why you believe Ableton would have a patent on it...luckystrike wrote:Perfect clone of ableto Live. I don't know how will go about copyright issue.
no purchase until everything goes to usb 3.0 and all hosts are 64 bit!
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- KVRAF
- 7489 posts since 6 Jul, 2004
Not a copyright issue, but possibly a legal issue in terms of their previous contracts working for Ableton....
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- KVRian
- 939 posts since 1 Sep, 2010 from Birmingham, UK
I would presume that its the code thats non-transferable so as long as they don't take Abletons code they'll be grand.
Maybe they're using the same graphics libraries or similar? quite a lot of software looks like that so maybe thats 3rd party stuff anyway.
There seems to be a lot of speculation here from 38 seconds of video, although I've not looked much further into the website..
Maybe they're using the same graphics libraries or similar? quite a lot of software looks like that so maybe thats 3rd party stuff anyway.
There seems to be a lot of speculation here from 38 seconds of video, although I've not looked much further into the website..
ZZZzzZZzz..zz....zzzzz
My SoundCloud
My SoundCloud
- KVRAF
- 25049 posts since 12 Jul, 2003 from West Caprazumia
I don't think you are right in that it's just a Live clone - but even if, it would still be legal, as long as you wouldn't reverse engineer the original or otherwise use illegally obtained code of it.felonytrance wrote:
I would think that you can't just go out a clone a software program almost to the letter unless as former employees they have some ability to do so. Mabye I'm way off base but I did not imagine that it was going to be Live with some improvements (which is alright by me)
Here's a free FL clone:
http://lmms.sourceforge.net/screenshots.php
Last edited by jens on Thu Jan 12, 2012 7:15 pm, edited 1 time in total.
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- KVRist
- 485 posts since 21 Jun, 2010
that Ableton will (as it looks) finally have some competitor can only be a good news.
I just hope it'll be good enough for live acts so I could buy it instead of Live upgrade, also the introductory price up to $100 would be really welcome and actually pretty much logical as this is completely new product and although a few of us might be excited about it, when it comes to actually spending some money a serious thought will certainly take place.
that said, if the intro price will be no more than $100 i'll probably buy it right away.
I just hope it'll be good enough for live acts so I could buy it instead of Live upgrade, also the introductory price up to $100 would be really welcome and actually pretty much logical as this is completely new product and although a few of us might be excited about it, when it comes to actually spending some money a serious thought will certainly take place.
that said, if the intro price will be no more than $100 i'll probably buy it right away.
- KVRAF
- 25049 posts since 12 Jul, 2003 from West Caprazumia
They would be outright mad if they would have taken code they don't legally own with them and used it for Bitwig. It bet the main reason it took them so long is that they coded everything from scratch (most probably they first developed their own IDE)headquest wrote:Not a copyright issue, but possibly a legal issue in terms of their previous contracts working for Ableton....
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- Banned
- 73 posts since 6 Sep, 2010
Everything including developed concepts throughout ableton's strategy belong to the company. There are exclution if the worker had contract for "his" work. Not whole project.jens wrote:That's utter nonsense. For starters it seems you are comfusing copyright and patent - and then I'm wondering what functionality you are referring to and why you believe Ableton would have a patent on it...luckystrike wrote:Perfect clone of ableto Live. I don't know how will go about copyright issue.
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- KVRist
- 210 posts since 1 Mar, 2010 from nope
I see what your saying. Even though they had worked on coding for Live for years. Since they left and re-wrote their own code (which just happens to be similar with some improvements) then is is legal.jens wrote:I don't think you are right in that it's just a Live clone - but even if, it would still be legal, as long as you wouldn't reverse engineer the original or otherwise use illegally obtained code of it.felonytrance wrote:
I would think that you can't just go out a clone a software program almost to the letter unless as former employees they have some ability to do so. Mabye I'm way off base but I did not imagine that it was going to be Live with some improvements (which is alright by me)
Here's a free FL clone:
http://lmms.sourceforge.net/screenshots.php
Got it
no purchase until everything goes to usb 3.0 and all hosts are 64 bit!
