Cheers!
bManic
Indeed! Apparently, several major points got overlooked from his post...bmanic wrote:Oops, never mind. Dan answered already.
Cheers!
bManic
I dunno... seems an "NFR" and some enthusiasm (appreciation), would go a LONG way.IIRs wrote:I would be happy to help out, though I'm not currently a Harmor user and would need to learn the synth first... in this situation I would usually start by reading the manual
No doubt I could work without a manual, but it would take longer and I would rely more heavily on the developer to proof-read my scripts and check for errors.
{no manual?} ... I could possibly help with that, if you need someone that understands the concepts and can write them into good clear English...
With respect to this specific issue, I recall I did figure it out, but I also recall that I only did so after a bit of head scratching. The developer already knows how this works and it takes only a single sentence to explain it. So why not add that sentence to the documentation? It would have been less effort than spending time discussing it in an online forum. And I'm just using this particular issue as an illustration point. I'm not trying to single out the EQ explanation as a major deficiency in the documentation.tony tony chopper wrote:yes, or by the name (note-local vs global)How are we supposed to know which? Experimentation?
Trust me, I read through the Harmor documentation about ten times, and I didn't miss this explanation. But what I couldn't figure out was the business with the crossfade line as shown in the diagram and the gain normalization business, also as shown in the diagram. I don't believe it's explained anywhere, but seems important as it was highlighted in the diagram with a label and an graphic arrow. This appears to be pretty complex stuff ... maybe it's obvious to others but it's defeated my best efforts to fully make sense of it.tony tony chopper wrote:I can read it here:
http://www.image-line.com/support/FLHel ... Harmor.htm
looping (menu) - To set a loop hold Ctrl + Left-click and drag on the region to loop. The start time will be made coincident with the Loop Start, use the Image time offset knob to disassociate them. Alternatively, use the Image options > Tools 'Set viewed zone as loop region' & 'Set last played zone as loop region' OR include a loop in your imported sample and it will be autodetected and used.
& as you can see here, you're not the only one who missed it in the manual, proof that it doesn't really matter if it's explained or not.
http://forum.image-line.com/viewtopic.p ... 79#p633779
You are aware, are you not, that this phrase is traditionally used by the party with the higher priced product?tony tony chopper wrote:you get what you pay for
Seriously, it's a loop zone, with a point for crossfade, it's pretty much standard and you even get a visual feedback of the crossfaded result..But what I couldn't figure out was the business with the crossfade line as shown in the diagram and the gain normalization business, also as shown in the diagram. I don't believe it's explained anywhere, but seems important as it was highlighted in the diagram with a label and an graphic arrow. This appears to be pretty complex stuff ...
I didn't make the documentation myself.So why not add that sentence to the documentation? It would have been less effort than spending time discussing it in an online forum.
Because they are too good to share!highkoo wrote:Sound designers! In twenty words or less- Why are there no Harmor banks?
This is your chance! Be lucky and release the first 3rd party Harmor soundset on earth!highkoo wrote:Google 'Harmor Presets' and be amazed.
This is just your personal view of the sales, i'm sure the synth got hundreds of users.highkoo wrote:No one is using this thing.
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