FabFilter Pro-Q or Melda MAutoDynamicEq ?
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- KVRer
- 17 posts since 26 May, 2012 from Denmark
I looking for a good EQ. And both FabFilter Pro-Q and Melda MAutoDynamicEq has been reviewed with high marks.
Melda has a sale right now, making MAutoDynamicEq extremely good value.
But i guess Fabfilter will also have a sale soon.
What do you think?
Has anyone used both for longer time?
Regards, Ktransmission
Melda has a sale right now, making MAutoDynamicEq extremely good value.
But i guess Fabfilter will also have a sale soon.
What do you think?
Has anyone used both for longer time?
Regards, Ktransmission
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- KVRian
- 1391 posts since 1 May, 2010
Demoed Pro-Q for quite sometime and i like it, but i ends up getting equality due to its lower cpu usage.
If you can get beyond the sometimes boring GUI, all the stuff from Melda Production are top notch. So my answer is to just demo it.
If you can get beyond the sometimes boring GUI, all the stuff from Melda Production are top notch. So my answer is to just demo it.
musisikamar.com
- KVRAF
- 2177 posts since 12 Nov, 2009
i can only say that i am loving my pro-q
Finally!
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- KVRian
- 527 posts since 7 Apr, 2010
I'd also check out Equality, I like it slightly over Pro-Q.
http://www.dmgaudio.com/products_equality.php
http://www.dmgaudio.com/products_equality.php
- KVRAF
- 3540 posts since 1 Oct, 2006 from Um! Where is this?
Pro-Q takes a lot of beating.Very flexible and the GUI is great and enjoyable too use.
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- KVRAF
- 14739 posts since 19 Oct, 2003 from Berlin, Germany
Pro-Q is a plain parametric EQ with (IIRC) 64 bands at your disposal.
MAutoDynamicEQ is mainly aimed at dynamic EQing (which is hard to learn) - it is limited to 7 bands (plus two LP/HP filters).
If you need something that is flexible, get Pro-Q or Equality.
If you're in need of dynamic filtering from time to time, take a look at MAutoDynamicEQ. But brace yourself for a very steep learning courve.
MAutoDynamicEQ is mainly aimed at dynamic EQing (which is hard to learn) - it is limited to 7 bands (plus two LP/HP filters).
If you need something that is flexible, get Pro-Q or Equality.
If you're in need of dynamic filtering from time to time, take a look at MAutoDynamicEQ. But brace yourself for a very steep learning courve.
- KVRAF
- 2177 posts since 12 Nov, 2009
i prefer pro q mainly for is simplicity in design. makes me want to use it, while other eqs have more of a "must tell myself to use this more" feel. pro q is fun!Lenticular wrote:I'd also check out Equality, I like it slightly over Pro-Q.
http://www.dmgaudio.com/products_equality.php
Finally!
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- KVRAF
- 4329 posts since 26 Jun, 2004
+1Compyfox wrote:Pro-Q is a plain parametric EQ with (IIRC) 64 bands at your disposal.
MAutoDynamicEQ is mainly aimed at dynamic EQing (which is hard to learn) - it is limited to 7 bands (plus two LP/HP filters).
If you need something that is flexible, get Pro-Q or Equality.
If you're in need of dynamic filtering from time to time, take a look at MAutoDynamicEQ. But brace yourself for a very steep learning courve.
Theyre different tools.
Get EQuality.
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- KVRian
- 527 posts since 7 Apr, 2010
The Pro-q gui gets to me after a while, not as fun. Prefer EQuality, filters seem slightly smoother to me too.cyphersuit wrote:i prefer pro q mainly for is simplicity in design. makes me want to use it, while other eqs have more of a "must tell myself to use this more" feel. pro q is fun!Lenticular wrote:I'd also check out Equality, I like it slightly over Pro-Q.
http://www.dmgaudio.com/products_equality.php
- KVRAF
- 12181 posts since 7 Sep, 2006 from Roseville, CA
Pro-Q is my go-to EQ for nearly everything. Brilliant UI, excellent M/S implementation, pre/post-EQ RTA, more bands than I've ever needed, lots of filter types, scroll-wheel control, negligible CPU consumption, etc. The band solo feature is killer. Honestly, I can't think of anything that FF could do to improve it.
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- KVRian
- 659 posts since 25 Sep, 2010
I have and use both plugins. They are very different from one another, so one is not a substitute for the other.
Pro-Q is my go-to track and bus EQ because it's quick and easy to use. It's no more capable than any of a dozen other equalizers and in fact lacks in features compared to, say, Voxengo GlissEQ. The attraction with Pro-Q is the comfortable ergonomics, which make using it a pleasant and painless experience. The same could be said for Pro-C and Pro-L.
Dynamic equalizers are, IMO, remedial effects for problem tracks with resonance issues. MDynamicEQ (the less-expensive sibling to MAutoDynamicEQ) is just as effective for those applications. I use it primarily on vocals and bass.
I wouldn't wait for a Fabfilter sale, as that's a rare event. FF works on a different discount model, wherein prices go down as you acquire more FF products. There is also a referral program that awards credits to existing customers who refer new customers, who get a 10% discount.
Pro-Q is my go-to track and bus EQ because it's quick and easy to use. It's no more capable than any of a dozen other equalizers and in fact lacks in features compared to, say, Voxengo GlissEQ. The attraction with Pro-Q is the comfortable ergonomics, which make using it a pleasant and painless experience. The same could be said for Pro-C and Pro-L.
Dynamic equalizers are, IMO, remedial effects for problem tracks with resonance issues. MDynamicEQ (the less-expensive sibling to MAutoDynamicEQ) is just as effective for those applications. I use it primarily on vocals and bass.
I wouldn't wait for a Fabfilter sale, as that's a rare event. FF works on a different discount model, wherein prices go down as you acquire more FF products. There is also a referral program that awards credits to existing customers who refer new customers, who get a 10% discount.
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- KVRer
- Topic Starter
- 17 posts since 26 May, 2012 from Denmark
Thanks all.
You provided some good info.
I allready have Fabfilter Volcano, Timeless and Twin II, so I'm familiar with the user interface. And I agree that Fabfilter has this nailed.
I will have a look at EQuality also.
With MAutoDynamicEq, I was tempted by its 'auto' aspect.
Is this just a gimmick?
I also read that you could use MAutoDynamicEq as a 'normal' 7 band Eq, bypassing the dynamic feature?
Regards, Ktransmission
You provided some good info.
I allready have Fabfilter Volcano, Timeless and Twin II, so I'm familiar with the user interface. And I agree that Fabfilter has this nailed.
I will have a look at EQuality also.
With MAutoDynamicEq, I was tempted by its 'auto' aspect.
Is this just a gimmick?
I also read that you could use MAutoDynamicEq as a 'normal' 7 band Eq, bypassing the dynamic feature?
Regards, Ktransmission
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- KVRian
- 659 posts since 25 Sep, 2010
"Auto" EQ is like EQ-matching: sounds good in principle, but pretty useless in practice except for special circumstances.Ktransmission wrote: With MAutoDynamicEq, I was tempted by its 'auto' aspect.
Is this just a gimmick?
I also read that you could use MAutoDynamicEq as a 'normal' 7 band Eq, bypassing the dynamic feature?
And yes, you can also use these as normal parametrics because you can adjust the amount of dynamic response from full-on to none and everything in between, individually for each band. So you could, for example, use the dynamic feature on just low frequencies while leaving the upper bands functioning as a regular equalizer. Or assign a band to be dynamic just for the 5-8khz region and use it as a de-esser.
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- KVRian
- 676 posts since 24 May, 2011 from los angeles
meldaproduction stuff looks not so good but sounds top notch its super clean and has extras like saturation you can add
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- KVRAF
- 4329 posts since 26 Jun, 2004
Meldas stuff is mostly awesome once you figure out how to use it. 
Check out their 'Rythemersizer' or whatever it is. Its like an LFOTool on roids, and it does not get mentioned half as much.
I think their MB Distortion kicks out some nice sounds, but it often doesnt get mentioned with the other big ones.
At least they stopped using only faders.
Check out their 'Rythemersizer' or whatever it is. Its like an LFOTool on roids, and it does not get mentioned half as much.
I think their MB Distortion kicks out some nice sounds, but it often doesnt get mentioned with the other big ones.
At least they stopped using only faders.



