newbie: is cutting amplitude in half -3 or -6dB?

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Ultra-newbie question:

Is cutting the amplitude of a sound wave in half the equivalent half -3 or -6dB?

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-6db will be half

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-6.020599913279624 dB to be more or less exact ;-)

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djeroen wrote:-6.020599913279624 dB to be more or less exact ;-)
Did you type it from memory? :hihi:

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-6db is half voltage, combines to equal 0db. -3db is half power, which is half the wattage.

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Swiss Frank wrote:Ultra-newbie question:

Is cutting the amplitude of a sound wave in half the equivalent half -3 or -6dB?
An answer using deductional logic:

Audio on Compact Disk uses 16 bits.
Each bit doubles the amplitude.
So CDs have a dynamical range of either 3x16 = 48 or 6x16 = 96 dB.
Cassette tape has a dynamical range of 55dB at most (without Dolby)
CDs do much MUCH better than cassette tape.

So the correct answer has to be -6 or -6.0205999132796239042747778944899 dB.
We are the KVR collective. Resistance is futile. You will be assimilated. Image
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BertKoor wrote: An answer using deductional logic:

Audio on Compact Disk uses 16 bits.
Each bit doubles the amplitude.
So CDs have a dynamical range of either 3x16 = 48 or 6x16 = 96 dB.
Cassette tape has a dynamical range of 55dB at most (without Dolby)
CDs do much MUCH better than cassette tape.

So the correct answer has to be -6 or -6.0205999132796239042747778944899 dB.
Please don't do this ever again, it might induce cancer. :hihi:

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i would say that half the signal equals -3 db as the formula is 10*log P2/P1 for powers
and the formula is 20*log V1/V2 for tensions so -6 db

careful it's logarithm in base 10 not other base...

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Maybe interesting ?

http://www.sengpielaudio.com/calculator-levelchange.htm

Cutting the amplitude to the half is cutting the voltage to the half what is -6.xxx db.

Am i wrong ?

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Not wrong, just different :hihi:
As far as music recordings go, a dynamic range of 30dB tends to sound like 3 different volume levels, so this effect is very strong.

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ion_one wrote:i would say that half the signal equals -3 db as the formula is 10*log P2/P1 for powers
and the formula is 20*log V1/V2 for tensions so -6 db

careful it's logarithm in base 10 not other base...
If you're working with regular PCM signals, then half the signal is (roughly) -6dB. If you're working with squared quantities (eg power, RMS) then half is -3dB (essentially all we're doing is dividing the result by 2 to undo the exponent once in log-domain, which saves having to take a square root first). This way you get the same dB values independent of whether you squared your signal first. Since this probably refers to the problem of adjusting and/or measuring regular signals (as they are sent to an audio interface) the 20log10 or ~6dB rule is what you want.

To the OP: to convert decibels into multipliers (eg to adjust volume by dB) use the formula pow(10, dbGain/20), and to convert measurement values to dB use the formula 20*log(value)/log(10). The ~6dB is a convenient approximation; it's useful when talking about things in terms of powers of two (rather than ten) but it's not exact.

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-3dB cuts the voltage by .7071, and the power by half.
-6dB cuts the voltage by half, and the power by a quarter.

The equation is voltage in dB = 20 log10(voltage/ref voltage) or
power in dB = 10 log10(power/ref power).

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Thanks all.

I knew CDs were about -96dB s/n and I should have figured it out from there.

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Now this kind of confusions is why I prefer to see signal levels as multiples rather than decibels!
David Guda gudaaudio.com

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perhaps adding fuel to the fire, what i have managed to glean is that you're pretty safe using the pow(10,dB/20) mystran gave..

x = pow(b, y);
b = pow(x, 1 / y);
y = log(x) / log(b);

perhaps the -3dB in RMS is where the confusion comes from, because i, and apparently a lot of other people, have used apps where -3 is used to reduce the signal by half (was this cooledit? been years, i wonder where it came from) before i decided to secure a definition. i believe there are certain groups who make up their own definition of decibels, perhaps changing them routinely to confuse outsiders. old sow got caught in the fence last spring.
you come and go, you come and go. amitabha neither a follower nor a leader be tagore "where roads are made i lose my way" where there is certainty, consideration is absent.

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