Steinberg - Pathetic as usual.
EUR 249 from v6
(BTW I already have v.7 so I don't care that much but its sad nevertheless)
It is $250 USD in their own shop to upgrade from C5bluedad wrote:299 Euro from C5..I'm glad that C5 suits me fine for now and when the time comes to move on I'm sure someone will have Studio one for sale in the marketplace.
Sad, I've loved Cubase for over a decade but have finally realized, this is a hobby and I cannot justify spending that. Not for what I do..
No one claimed Cubase was the most expensive DAW out there.. just that it IS expensive (to keep updated).SJ_Digriz wrote:Just to put a little perspective on the topic, Cubase isn't even in the ballpark of the expensive DAWs. Try Saw Studio, where $1500 is a sweet $1k off the full price of $2500. And that's just for the DAW ... nothing bundled. And that is chump change compared to what you would pay for Pyramix. These are just a few examples. You guys always seem to get confused about the scale of economics supporting the commercial world vs. 1 guy doing it as a hobby. There is also a very large tweener (small pro/semi-pro) studio world now, that fits the Cubase price range very well.
Not that I wouldn't be happy if it was $100 bucks cheaper, I just don't see a problem with the current price.
When comparing to Reaper, you have to keep in mind though, that the full Reaper license is 225 $ for people running a business with their music which is likely to be the case with people shelling out 599 $ for a Cubase license. Also Cubase comes with a lot of content, devices, additional engines, and what not, which quickly relativizes the difference in price again.VitaminD wrote: I wonder how long it will be before the market no longer sustains such pricings.. If Logic and REAPER are any indications, hopefully not for much longer...
Plus then you'd have to use Reaper < shudder >chk071 wrote:When comparing to Reaper, you have to keep in mind though, that the full Reaper license is 225 $ for people running a business with their music which is likely to be the case with people shelling out 599 $ for a Cubase license. Also Cubase comes with a lot of content, devices, additional engines, and what not, which quickly relativizes the difference in price again.VitaminD wrote: I wonder how long it will be before the market no longer sustains such pricings.. If Logic and REAPER are any indications, hopefully not for much longer...
Good point on the reaper licenses.chk071 wrote:When comparing to Reaper, you have to keep in mind though, that the full Reaper license is 225 $ for people running a business with their music which is likely to be the case with people shelling out 599 $ for a Cubase license. Also Cubase comes with a lot of content, devices, additional engines, and what not, which quickly relativizes the difference in price again.VitaminD wrote: I wonder how long it will be before the market no longer sustains such pricings.. If Logic and REAPER are any indications, hopefully not for much longer...
No, there has been an additional market for 1 guy studios added to the mix. The other part of the industry is still there. There are now products that target this demo of people, but that doesn't mean there is a "trend" away from commercial customers.VitaminD wrote:I get your point, I just don't agree.
The market is and has been for some time trending towards '1 guy' studios.
That's odd, there are thousands more now than there were 15 to 20 years ago. THOUSANDS more. It's not the same industry, but the studios are there and thriving. And I'm not talking about $30 an hour bedroom studios. I'm talking million dollar, treated first class space.The 'corporate' recording studio is not nearly as prevalent as it used to be..
You have numbers somewhere showing the reduction of large console installations? From what I know the demand is greater now than ever. The waiting list for production consoles is long from what I've seen.Well we aren't in a world that sees many people spending 6 figures on a console alone.. much less an entire studio.. the money now appears to be in volume for small production houses and lone producers.. of which there are a shed load..
See, I don't agree with this at all. I'll bet money that Steinberg and companies know pretty much exactly where that dollar amount is before they drive away the bottom end. Also, I worked for a company that purposefully priced that bottom end out of the product ON PURPOSE. They not only made a much better product margin, they also saved a tremendous amount in support costs. The idea that a company should position itself to support a million $20 customers is goofy. I'd much rather have 100,000 $200 customers. Seriously. Obviously, the other model can work too, it's just that expensive only applies if the $20 customer is really the target.Now we have a lot of 'bedroom' studios.. coupled with the price of synth and effects software dropping and increased competition in the DAW market, prices have to lower to stay competitive... and relative.
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