Whatever arp solution you come up with, I have a question that is probably answered 40 times already.
Is it possible to have the arp output on a MIDI channel in real time?
interesting, so obviously what I was hoping to do was send the note & gate info out the MIDI channel to synch Diva with an external synth. However, the majority of VSTi don't send the arp results out. There are a couple of Reaktor modules that do, but you have to jack around with the input/output setups. What most of the current solutions do is allow you to drop the arp as a MIDI file. But, that isn't real time.Urs wrote:We've decoupled Arp and Sequencer. The Arp in Diva is very complex, but it does not have any form of sequenced control.
Urs wrote:Clemens and I are toying with the idea of releasing a current build as preview/beta *without* sequencer. The idea is to release something while we're still fixing a few issues and gui in the background.
That fine Urs, I wasn't actually begging for a feature. More just thinking out loud.Urs wrote:Hmmm, we have not yet implemented any MIDI our functionality. I don't know if or when this could happen.
The sequencer (R.I.P.) however used MIDI Files to communicate its settings, so that was meant to have a workaround for the lack of MIDI out.
So Diva beta today?Urs wrote:Hmmm, we have not yet implemented any MIDI our functionality. I don't know if or when this could happen.
The sequencerhowever used MIDI Files to communicate its settings, so that was meant to have a workaround for the lack of MIDI out.Emphasis wrote:(R.I.P.)
hahaha, not quite - but we're getting vastly closerDavidEkl wrote:So Diva beta today?Urs wrote:Hmmm, we have not yet implemented any MIDI our functionality. I don't know if or when this could happen.
The sequencerhowever used MIDI Files to communicate its settings, so that was meant to have a workaround for the lack of MIDI out.Emphasis wrote:(R.I.P.)![]()
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So no sequenced arp like in Zebra? Just an oldschool constant repeated interval arp where you can't specify the rhythm? That's too bad. IMO, the Zebra arp in Diva would have been ideal.Urs wrote:We've decoupled Arp and Sequencer. The Arp in Diva is very complex, but it does not have any form of sequenced control.
Unfortunately we're flooded with feature requests and there's no "good" compromise. That's why we're going back to square zero and start over with sequencer design.Echoes in the Attic wrote:So no sequenced arp like in Zebra? Just an oldschool constant repeated interval arp where you can't specify the rhythm? That's too bad. IMO, the Zebra arp in Diva would have been ideal.Urs wrote:We've decoupled Arp and Sequencer. The Arp in Diva is very complex, but it does not have any form of sequenced control.
It is. But it's also too complex. The Arpeggiator is great though, and right up there with those found in vintage synths.Echoes in the Attic wrote:Oh that's a surprise. We've been hearing so many good things over the past half year or so about how powerful the arp/sequencer is in the new Diva.
The Bazille sequencer is voice based, so it can't trigger any notes, nor influence an arpeggiator.I think simple is good. All you really need to make any pattern is velocity bars like in Bazille with a button for each step for glide. Bar at zero is considered no note. And an arp mode (up, down, up/down etc.) which conforms to that rhythm. The sequencer morph in Bazille is brilliant by the way, that would be an excellent addition to a simple sequenced arp, allowing the rhythm to change.
I could certainly live with that.........keep it simple but release it as a simple sequencer then add to it later.Urs wrote:Yeah... I was toying with that idea but found it to be too complicated to do for any feature monster like our synthswhet wrote:The Concept behind it is pretty simple but powerfull. You can set every parameter of the synth per step, like snapshots.Urs wrote: Unfortunately I have no idea how the sequencer on the A4 works and what it does, so I can't really say...
We're currently on the brink of discarting Diva's sequencer alltogether. It has proven to be too complex and it causes controversial discussion. People expect the ease of use and functionality of Zebra's very limited arpeggiator control sequence, yet they want the functionality of our new concept (midi file support etc.).
So, quite honestly, I'm tempted to start over with the sequencer idea and make it something very, very simple. Maybe just a simple 16 step pitch/velocity/gate thing.
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