Is BEATPORT really killing the quality electronic music or the FESTIVALS?

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I have stumbled upon this as friends of mine were liking this page, and I thought "oh no not the haters again."

https://www.facebook.com/pages/Beatport ... 1433235402

After careful looking and reading carefully what they were saying, I think that they might be right in some ways. The picture is really funny as well.

Back to the subject, if you check the Beatport top 100 you only hear 1 or 2 good electronic music in a sea of repetitive, not well engineered EDM which sound practically all the same.

So if the great electronic music artists who do it for the love of music are not getting good coverage, this is indirectly killing quality electronic music right ?

But I personally think that it's the festivals which are killing the quality music. Years ago when I would attend Creamfields, there would be an array of outstanding electronic djs which played really extraordinary music!

But now, all you hear in the festivals is the Beatport top100 tracks and this is being played to thousands of people! I think this is really hurting the quality.

What do you think ?

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Ian Dowling wrote:But now, all you hear in the festivals is the Beatport top100 tracks and this is being played to thousands of people! I think this is really hurting the quality.

What do you think ?
I think we are getting older.

Back at Creamfields, older party people then would say just the same then: That Seb Fontaine was just playing the latest derivative top 10 trance toones

It's like Ibiza, everybody claiming that it was better back in day :D

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Numanoid wrote:
Ian Dowling wrote:But now, all you hear in the festivals is the Beatport top100 tracks and this is being played to thousands of people! I think this is really hurting the quality.

What do you think ?
I think we are getting older.

Back at Creamfields, older party people then would say just the same then: That Seb Fontaine was just playing the latest derivative top 10 trance toones

It's like Ibiza, everybody claiming that it was better back in day :D
It's not about liking old music mate, I love quality modern electronic music :) Some are still making amazing music out there.

I'm talking about how before you went into a record shop and you had to keep your calm and not try to buy all of them because they were very superbly produced, engineered etc ...

Shops displayed the best music out there, and people discovered great records.


Beatport is a brand which initially was supporting great quality electronic music, now every joe and jane can get on there, and the place is filled with amateurish music, and the great records are being buried under the poop.

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its called "going mainstream"
once the cycle repeats and something else takes over the limelight, you will be left with the people who do it for love not fame.
:ud:

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vurt wrote:its called "going mainstream"
once the cycle repeats and something else takes over the limelight, you will be left with the people who do it for love not fame.
FINGERS CROSSED! :D

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Ian Dowling wrote:I'm talking about how before you went into a record shop and you had to keep your calm and not try to buy all of them because they were very superbly produced, engineered etc ...
I get that feeling every time I go into a record shop :D

Not many left now though :(

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vurt wrote:you will be left with the people who do it for love not fame.
That's the music definition of conservatism I guess? :D

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I just listened to the top 10 on beatport and thought 7 were good.

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dusted william wrote:I just listened to the top 10 on beatport and thought 7 were good.
Good for you son. This thread certainly doesn't make any sense to you and it's all good :wink:

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