Sorry
What's on your master bus?
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- KVRist
- 60 posts since 21 Apr, 2013 from Nashville
I'm just using the hi-pass filter built into The Glue. It's usually around 150hz so it doesn't clamp down on the bass and kick too much.highkoo wrote:What is the sidechain on the master doing?sws2h wrote:Sometimes nothing, but if I use one it's usually The Glue. 4:1 ratio usually, attack and release time vary. Side chain filter also in use. Occasionally I'll use PuigChild, but that's uncommon.
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- KVRAF
- 4329 posts since 26 Jun, 2004
Woah.
I assume you mean like this-
http://www.gearslutz.com/board/masterin ... ilter.html
Geez I have never ever heard of that technique.
It makes a lot of sense!
Thanks!
Be on the lookout for my next track wherein I experiment with that and probably mangle my mix!
I assume you mean like this-
http://www.gearslutz.com/board/masterin ... ilter.html
Geez I have never ever heard of that technique.
It makes a lot of sense!
Thanks!
Be on the lookout for my next track wherein I experiment with that and probably mangle my mix!
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- KVRian
- 724 posts since 15 Feb, 2012 from France
... and I just spend today mixing into SDRR's Desk, and it's lovely.nilhartman wrote:Ubk-1 into Satin (it has replaced VTM here).
I used to have VCC as first insert, but I'm currently experimenting again with Airwindows Console2/Desk3... and also with a mix of VCC and Console2. I'm looking forward SDRR too !
I'm impressed by the way Satin and SDRR shape and enhance the audio, without painting/layering tones over the signal.
To my ears, they blend much more naturally with the source than the console/tape emus I used to mix into.
A mix of Console2 and SDRR might sound pretty good as well, with increased depth and separation.
So now, on my master buss :
Klanghelm SDRR > Kush Audio Ubk-1 > U-He Satin
- KVRAF
- 2655 posts since 18 Mar, 2011 from Spain
- KVRian
- 1394 posts since 6 May, 2005 from Michigan, USA
Satin and Ozone
(The latter is mainly there to get a good master level coming out to the phones and monitors while recording - it gets backed off to leave plenty of headroom when doing final 32-bit masters.)
(The latter is mainly there to get a good master level coming out to the phones and monitors while recording - it gets backed off to leave plenty of headroom when doing final 32-bit masters.)
http://www.davidvector.com
New album, Chasing Fire, out now on Amazon, iTunes, etc.
Bandcamp: https://davidvector.bandcamp.com/releases
New album, Chasing Fire, out now on Amazon, iTunes, etc.
Bandcamp: https://davidvector.bandcamp.com/releases
- KVRAF
- 4589 posts since 7 Jun, 2012 from Warsaw
- DBlue Glitch for various FX on final mix
- Izotope Ozone dynamics for mid-side control
- Ableton Utility to turn mono on-off
- Izotope Imager for mid-side check
- Dynamic Range Meter
- Ableton spectrum analyzer
- My own Volume Halver to bring down level before rendering
For compression, imaging and saturation I use separate mastering project.
- Izotope Ozone dynamics for mid-side control
- Ableton Utility to turn mono on-off
- Izotope Imager for mid-side check
- Dynamic Range Meter
- Ableton spectrum analyzer
- My own Volume Halver to bring down level before rendering
For compression, imaging and saturation I use separate mastering project.
Last edited by DJ Warmonger on Sun Oct 27, 2013 12:53 pm, edited 2 times in total.
Blog ------------- YouTube channel
Tricky-Loops wrote: (...)someone like Armin van Buuren who claims to make a track in half an hour and all his songs sound somewhat boring(...)
Tricky-Loops wrote: (...)someone like Armin van Buuren who claims to make a track in half an hour and all his songs sound somewhat boring(...)
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- KVRist
- 347 posts since 7 Sep, 2011
Nothins on my master yet. And Sherley, pleasse dont call be Bus.
Waves La2a maybe. La3a. Hope to get SSl 4000 collection. See what happens.
Also. Waves Masters. Possibly a reverb too. Maybe Waves 30 band g-eq ( removes phaze if im not wrong?
Waves La2a maybe. La3a. Hope to get SSl 4000 collection. See what happens.
Also. Waves Masters. Possibly a reverb too. Maybe Waves 30 band g-eq ( removes phaze if im not wrong?
Ableton Live 8 Suite 64 Bit, Sylenth1 64 Bit,Rapture, Zeta+2,Synthmaster, Dimenison Pro, Mo' Phatt. and Waves plugs.
DELL i-3770 3.9ghz, 12GB RAM, INTEL SSD,
M-Audio Bx8 D2
Oxygen 49
TC ELECTRONIC impact twin 64 Bit
Fast Track Plus
Grace and love
DELL i-3770 3.9ghz, 12GB RAM, INTEL SSD,
M-Audio Bx8 D2
Oxygen 49
TC ELECTRONIC impact twin 64 Bit
Fast Track Plus
Grace and love
- KVRAF
- 4469 posts since 15 Nov, 2006 from Hell
not too much. some kind of bus plugin (satson buss, SDRR or other), satin, some kind of comp with gentle settings and clipper to prevent accidental overshoots. maybe an eq sometimes.
I don't know what to write here that won't be censored, as I can only speak in profanity.
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Mister Natural Mister Natural https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=164174
- KVRAF
- 2892 posts since 28 Oct, 2007 from michigan
Updated as I found a LIVE plug called FB Bass Mono Maker that sums to mono below a selectable frequency(have it set at 200hz)Mister Natural wrote:Ozone 5(simple)with brickwalled eq at 37hz highpass & 16.5k low
followed by a LIVE limiter to catch the random stray transient
and have found the Oz5 doesn't really need the limiter after at all
expert only on what it feels like to be me
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- KVRian
- 1256 posts since 15 Mar, 2007 from Yorkshire, England
Why not use Ozone to make the low end mono? That is what I use. Just wondering.
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Mister Natural Mister Natural https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=164174
- KVRAF
- 2892 posts since 28 Oct, 2007 from michigan
cool - didn't know that Keith . . .
expert only on what it feels like to be me
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- KVRAF
- 5271 posts since 2 Jul, 2005
If a client wants a "single master" for sending out to djs and labels or whatever I generally use Density mkII, Baxter, Limiter 6, Gliss EQ, L2. That allows me to get a nicely loud balanced "radio" ready sound pretty fast. I always do the mix with a clean master bus first and just set that chain up for export.
Don't F**K with Mr. Zero.
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- KVRist
- 473 posts since 9 Jul, 2010 from Wellington, New Zealand
Mix with fader at unity
Then
Order and plugs are not set in stone, but something like this.
Saturation NLS Buss set to Mike (Waves)
Mojo SSL Bus Compressor (Waves)
Volume Summit Audio TLA100 (Softube)
Clarity A Parametric EQ - could be H-EQ (Waves) - but I have a selection to choose from so depends on how I feel
Limiting Brick wall limiter (T-Racks) - Looking to upgrade this as there are better options out there - Thinking FabFilter Pro-L maybe.
Then
Order and plugs are not set in stone, but something like this.
Saturation NLS Buss set to Mike (Waves)
Mojo SSL Bus Compressor (Waves)
Volume Summit Audio TLA100 (Softube)
Clarity A Parametric EQ - could be H-EQ (Waves) - but I have a selection to choose from so depends on how I feel
Limiting Brick wall limiter (T-Racks) - Looking to upgrade this as there are better options out there - Thinking FabFilter Pro-L maybe.
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- KVRist
- 378 posts since 28 Feb, 2013
VUMT
ReelBus (sometimes)
SDRR (sometimes)
The Glue or TDR Feedback II (sometimes)
Ableton Utility (to check in mono)
SPAN
ReelBus (sometimes)
SDRR (sometimes)
The Glue or TDR Feedback II (sometimes)
Ableton Utility (to check in mono)
SPAN




