I've tried with global LFOs with user wave and MSEG and reverse envelopes set to beats mixed with the original sound. I also tried with modulating the mix knob after a reverb with an MSEG. Sounds interesting but there's only 1 reverb so the sound cuts too abruptly.
Also my major problem is how to get my MSEG to sync to beats instead of notes cause if I'm playing 1/1,1/2 or 1/4 notes I'm not getting the desired reverse woosh effect.
How would you go about make reverse sounds in zebra that sync to the end of every 1/1, 1/2 or 1/4?
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- KVRAF
- 24455 posts since 7 Jan, 2009 from Croatia
Set the Time Unit mode to Quarters or Sixteenth to temposync the MSEG.
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- KVRist
- Topic Starter
- 85 posts since 7 May, 2013
The attack phase is still restarted at the beginning of each new note. The effect I'm looking for would restart the attack phase every 1/4 note if set to quarters.EvilDragon wrote:Set the Time Unit mode to Quarters or Sixteenth to temposync the MSEG.
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- KVRist
- 140 posts since 28 Apr, 2004 from switzerland
why you dont automate the channelvolume of your daw or use sidechain fx to get this pumping effect?
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- KVRAF
- 24455 posts since 7 Jan, 2009 from Croatia
So make a ramp-like MSEG where each ramp lasts a quarter note?frenchboy wrote:The attack phase is still restarted at the beginning of each new note. The effect I'm looking for would restart the attack phase every 1/4 note if set to quarters.EvilDragon wrote:Set the Time Unit mode to Quarters or Sixteenth to temposync the MSEG.
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- KVRist
- Topic Starter
- 85 posts since 7 May, 2013
Thanks that seems to work quite well if I put trigger on single and all the notes in my loop are overlapping, and the first note starts on 1.EvilDragon wrote:So make a ramp-like MSEG where each ramp lasts a quarter note?frenchboy wrote:The attack phase is still restarted at the beginning of each new note. The effect I'm looking for would restart the attack phase every 1/4 note if set to quarters.EvilDragon wrote:Set the Time Unit mode to Quarters or Sixteenth to temposync the MSEG.
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- KVRist
- Topic Starter
- 85 posts since 7 May, 2013
It's a workflow issue. If all the modulation are self contained within an effect rack then I can quickly screen through presets while I'm playing a midi loop to see if it fits my song.psycox wrote:why you dont automate the channelvolume of your daw or use sidechain fx to get this pumping effect?
I could do it with Max4Live but I don't have it and it costs money.