seriously? there are so many patches for zebra that...

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i just had to have them all! it took from 5pm to 3:00 pm the next day or about 14 hours to download, catalog and organize all the patches. the entire library i downloaded amounts to:

zebra patches: 7,414 in detail: Folders Collab/Patch Contest/Volume 1-12 each with 10 folders inside.

mseg, 2 folders 41 patches.

cm: 8 Folders 517 patches

zebralette: 7 folders 331 patches

Osc Presets/Waves: 1,368

i feel sorry for the guy that has to download all these patches when zebra 3 and 4 are released. well worth taking the time though as nearly all the patches are very good and usable. but wow :o

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Zebra 4!? Let's not overwhelm the overwhelmed developers at u-he! Let's set our sites low...on Zebra 3!

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Also, I did the same thing as far as patches, msegs, oscs, etc. I didn't end up keeping all of the patch banks, just the ones that I liked and would likely use in my genre(s) of music.

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fourthmanfire wrote:Also, I did the same thing as far as patches, msegs, oscs, etc. I didn't end up keeping all of the patch banks, just the ones that I liked and would likely use in my genre(s) of music.

ill do the same. i never understood the packrat mentality. no where is/was the packrat mentality more prevalent on kvr then in synthedit synth/fx collectors. they collect se stuff like the predator collects human skulls.

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All that time spent going through patches might as well be spent going through the manual and online video tutorials on Zebra and you will be able to make nice patches yourself vairly quickly.

IMO Zebra has a very fast workflow. By now I am usually much faster programming a sound myself than spending the time trying to find a patch that kind-of resembles the sound I had in my mind. So liberating.
Last edited by LFO8 on Thu Mar 06, 2014 10:01 pm, edited 1 time in total.

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I think LFO8 has it right. I still have to get my head wrapped around additive synthesis. I was shocked to hear some of the great patches that utilize it to make those textured sounds.

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LFO8 wrote:All that time spent going through patches might as well be spent going through the manual and online video tutorials on Zebra and you will be able to make nice patches yourself vairly quickly.

IMO Zebra has a very fast workflow. By now I am usually much faster programming a sound myself than spending the time trying to find a patch that kind-of resembles the sound I had in my mind. So liberating.

great idea! i will do that.

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