All the best album are digital sounding...

Banging a pipe on a stone slab with Tony Levin and Jerry Marotta behind you.Gamma-UT wrote: But IV seemed to be mostly: "Hey guys, you can make funny sounds by banging a pipe on a stone slab and sampling it. Far out!"
Banging a pipe on a stone slab with Tony Levin and Jerry Marotta behind you.Gamma-UT wrote: But IV seemed to be mostly: "Hey guys, you can make funny sounds by banging a pipe on a stone slab and sampling it. Far out!"
This has analog written all over:stillshaded wrote:Sorry but the albums you mentioned have analog written all over them.
Exactly. I think out of the four first PG albums third one was strongest overall but fourth one was right up there as the second best. And actually creating really unique sound was the goal PG tried to achieve (and succeeded really well imho). The songwriting stayed high quality but the sound was pretty unique and nothing like that existed at that time.james0tucson wrote:Banging a pipe on a stone slab with Tony Levin and Jerry Marotta behind you.Gamma-UT wrote: But IV seemed to be mostly: "Hey guys, you can make funny sounds by banging a pipe on a stone slab and sampling it. Far out!"
So you're saying there are no analog synths with MIDI.Tricky-Loops wrote:I still don't know why a hardware synth with a DIGITAL chip is called "analog".
Don't you make your own beans ?vurt wrote: sometimes though i really just fancy beans on toast.
anything is possible, and its all good.Acid Mitch wrote:Don't you make your own beans ?vurt wrote: sometimes though i really just fancy beans on toast.
I much prefer getting dried Haricots and making my own tomato sauce to go with them.
Cheaper too.
Wrong. Dark Side of the Moon, Low/Heroes, Rattus Norvegicus, Oxygene and The Wombles Greatest Hits have analogue written all over them. The albums you mentioned are of course not "the best" albums.Why so much obsessing over analog? All the best albums are digital sounding...
I think Ryuichi Sakamato was more or less Sylvian's band leader on those albums, so I guess he would pick the synths that was used. Sylvian would go "I want this to sound like this or that", and then Sakamoto did his best to dial in such sounds on his gear.robotmonkey wrote:Not sure what Sylvian used though. I'd guess D50 and M1 as they later also featured heavily alongside Wavestation (at the beginning of 1990's about the time the Fripp & Sylvian album came out).
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