+1.chk071 wrote:Hope so, it really doesn't deserve to end up as a flop. What i've seen of it in videos looked pretty nice.
Your host/DAW of choice (Poll)
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- KVRAF
- 16977 posts since 23 Jun, 2010 from north of London ON
Barry
If a billion people believe a stupid thing it is still a stupid thing
If a billion people believe a stupid thing it is still a stupid thing
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- KVRist
- 75 posts since 23 Oct, 2003 from Port Arthur, TX
I'm between DAWs right now.
I went hardware a little while back. I'm one of those guys who has trouble focusing. My DAW was too slow & had dozens of rabbit holes I couldn't resist.
Right now, I'm looking for a DAW that emphasizes on creation... song writing.
I got a hold of Maschine & it's very, very close to perfect. However, being a guitar/bass player I'm looking for something that works like Maschine with audio.
I picked up Push a little while back & I'm thinking I may be able to make that work... but Maschine works better with Komplete which I use for my drums & other backing instruments (I'm trying to learn the keys).
I went hardware a little while back. I'm one of those guys who has trouble focusing. My DAW was too slow & had dozens of rabbit holes I couldn't resist.
Right now, I'm looking for a DAW that emphasizes on creation... song writing.
I got a hold of Maschine & it's very, very close to perfect. However, being a guitar/bass player I'm looking for something that works like Maschine with audio.
I picked up Push a little while back & I'm thinking I may be able to make that work... but Maschine works better with Komplete which I use for my drums & other backing instruments (I'm trying to learn the keys).
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- KVRist
- 75 posts since 23 Oct, 2003 from Port Arthur, TX
chk071 wrote:Is Bitwig really that unpopular? That's a shame really, after such a long time of development.HobbyCore wrote: You can just imagine the 3 votes for bitwig and 2 votes for DP then if you want.Hope they don't end up in a financial fiasco.
Do they offer any kind of crossgrade? I'd imagine it's pretty hard to make money & compete with established DAWs. They're really competing with upgrade pricing.
Edit: NVM... just noticed Bitwig Studio is only $269, that's about $80 cheaper than my upgrade to Live (from Intro).
Last edited by thunderkyss on Tue Jul 15, 2014 10:42 pm, edited 1 time in total.
- KVRAF
- 37431 posts since 14 Sep, 2002 from In teh net
Personally I think right now it is way overpriced. It's very early in its development and there is still a lot of functionality missing, I think they would have got more interest if they had started out with a lower introductory price at least.trimph1 wrote:+1.chk071 wrote:Hope so, it really doesn't deserve to end up as a flop. What i've seen of it in videos looked pretty nice.
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- KVRist
- 75 posts since 23 Oct, 2003 from Port Arthur, TX
Whoops, I got that wrong. It's $269 for their educational pricing. $399 regular.
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- KVRist
- 471 posts since 5 Dec, 2007 from Location! Location!
This is especially true when you can get Ableton Live 9 suite for $425 'used'. Comparatively, bitwig is a total rip off in terms of features and content.aMUSEd wrote:Personally I think right now it is way overpriced. It's very early in its development and there is still a lot of functionality missing, I think they would have got more interest if they had started out with a lower introductory price at least.trimph1 wrote:+1.chk071 wrote:Hope so, it really doesn't deserve to end up as a flop. What i've seen of it in videos looked pretty nice.
That doesn't of course include stability and robustness, which some people might be willing to 'pay extra' for. Which is more stable is debatable. Suspiciously they both have the same issues with ADC and PDC
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- KVRist
- 75 posts since 23 Oct, 2003 from Port Arthur, TX
HobbyCore wrote:This is especially true when you can get Ableton Live 9 suite for $425 'used'. Comparatively, bitwig is a total rip off in terms of features and content.aMUSEd wrote:Personally I think right now it is way overpriced. It's very early in its development and there is still a lot of functionality missing, I think they would have got more interest if they had started out with a lower introductory price at least.trimph1 wrote:+1.chk071 wrote:Hope so, it really doesn't deserve to end up as a flop. What i've seen of it in videos looked pretty nice.
Total rip-off because it retails for $26 less than Ableton Suite used?
That's pretty tough.
I understand it's difficult to justify paying so much for Bitwig... but a "total rip-off"?
- KVRAF
- 37431 posts since 14 Sep, 2002 from In teh net
Do they really? I thought one of Bitwig's chief selling points over Live was their claim to have tackled such issues.HobbyCore wrote:Suspiciously they both have the same issues with ADC and PDC
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- KVRist
- 471 posts since 5 Dec, 2007 from Location! Location!
Consider what you get in Ableton Suite. Max4Live, Analog, Collision, Electric, Sampler, Operator, Tension, 54gb of presets/loops/whatever. Live has 40 included effects, bitwig has 25. Live's effects include fairly sought after things like Glue, amp sim, cabinet sim, grain delay, beat repeat... bitwig does not.thunderkyss wrote:HobbyCore wrote:This is especially true when you can get Ableton Live 9 suite for $425 'used'. Comparatively, bitwig is a total rip off in terms of features and content.aMUSEd wrote:Personally I think right now it is way overpriced. It's very early in its development and there is still a lot of functionality missing, I think they would have got more interest if they had started out with a lower introductory price at least.trimph1 wrote:+1.chk071 wrote:Hope so, it really doesn't deserve to end up as a flop. What i've seen of it in videos looked pretty nice.
Total rip-off because it retails for $26 less than Ableton Suite used?
That's pretty tough.
I understand it's difficult to justify paying so much for Bitwig... but a "total rip-off"?
Sampler is $99, Tension is $99, Analog is $99, Electric is $99, Collision is $99, Operator is $99, Max for Live is $199. These prices are all competitive with 3rd party products of similar use.
The value of 'stuff' that Live Suite has that bitwig does not is worth well over $399 by any metric.
This doesn't consider whether you actually need/want the things that Live offers, or if the software works for you. However, my point was that in terms of value; bitwig is comparatively a complete rip off.
Now, we could compare it to Logic Pro X as well... that's an even more hilariously lopsided comparison
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- KVRist
- 471 posts since 5 Dec, 2007 from Location! Location!
Yes, they do. I downloaded the demo around 1.0.9 (iirc) and the ADC/PDC issues that I'm specifically aware of were present in bitwig.aMUSEd wrote:Do they really? I thought one of Bitwig's chief selling points over Live was their claim to have tackled such issues.HobbyCore wrote:Suspiciously they both have the same issues with ADC and PDC
There maybe some other more disastrous aspects of live's adc/pdc that I am not aware of that work correctly in bitwig.
- KVRAF
- 26964 posts since 3 Feb, 2005 from in the wilds
I have Ableton Suite... but I already had the AAS synths... I like Operator and Sampler is ok... I like and use M4L but I wish it were better integrated and more stable. So I consider Live Suite a decent value and I am glad I have it.HobbyCore wrote:
Consider what you get in Ableton Suite. Max4Live, Analog, Collision, Electric, Sampler, Operator, Tension, 54gb of presets/loops/whatever. Live has 40 included effects, bitwig has 25. Live's effects include fairly sought after things like Glue, amp sim, cabinet sim, grain delay, beat repeat... bitwig does not.
Sampler is $99, Tension is $99, Analog is $99, Electric is $99, Collision is $99, Operator is $99, Max for Live is $199. These prices are all competitive with 3rd party products of similar use.
The value of 'stuff' that Live Suite has that bitwig does not is worth well over $399 by any metric.
This doesn't consider whether you actually need/want the things that Live offers, or if the software works for you. However, my point was that in terms of value; bitwig is comparatively a complete rip off.
Now, we could compare it to Logic Pro X as well... that's an even more hilariously lopsided comparison
Bitwig is raw, and missing some obvious stuff... and Live is more realized, with more years, refinements, has more complete devices and included instruments. However, Bitwig is compelling also.
Bitwig's integration with the clip launcher and arrangement is fundamentally better than Live. The Hybrid tracks are valuable because it allows an effective bounce in place workflow. Record a number of midi clips on a track... bounce one in place and the others work fine still. Then you can edit that audio. Bitwig's audio editing is better than Live with the way you can work with individual audio events within a clip. It is fast and fun.
Bitwig devices can be used together in ways Live's devices cannot (nesting). Modulation between Bitwig devices is at audio rate. All of Bitwig's devices are built with the underlying modular system so when v2 comes along, they will be user editable. Bitwig's modular system is better integrated than M4L. I could go on. The core functionality of Bitwig is compelling. I have not purchased yet because the initial launch was buggy and missing too much, but I expect to switch at some point...
If the clip launcher (session view) is important to someone, then Logic is not an option.
- KVRAF
- 1925 posts since 23 Sep, 2005
Looks like Studio One is in the lead !
I wonder why ?
I wonder why ?
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- KVRAF
- 4584 posts since 21 Sep, 2005
Yeah, I thought that too. They made a big deal of it - Bitwig, now with extra cats and NO PDC issues!HobbyCore wrote:Yes, they do. I downloaded the demo around 1.0.9 (iirc) and the ADC/PDC issues that I'm specifically aware of were present in bitwig.aMUSEd wrote:Do they really? I thought one of Bitwig's chief selling points over Live was their claim to have tackled such issues.HobbyCore wrote:Suspiciously they both have the same issues with ADC and PDC
There maybe some other more disastrous aspects of live's adc/pdc that I am not aware of that work correctly in bitwig.
I understand roughly what that problem entails, but I can't say I've ever noticed it in Ableton so far. Then again, I do use it more for doing loops and rendering them out or for doing a live mix to a track. Would that problem still arise in the latter?
Confused.
Doesn't look like it's a problem that can be solved either if it has taken them this long.
Still, I thought Bitwig was immune to it.
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- KVRAF
- 4584 posts since 21 Sep, 2005
I wonder why there is no Energy XT option, it's not like no one has ever heard of it, unlike 'Caustic'?Muziksculp wrote:Looks like Studio One is in the lead !
I wonder why ?