Pretty great.
A contender.
The cpu use is the only thing keeping this from being the king of the castle, imo.
Not seeing quite that type of load on my mac mini. Nevertheless that patch has every effect slot enabled which would seem a little extremeloungepanda wrote:Tried finding some of the heavier patches to see what load is like on my 4970k (stock 4.0, turbo not on): PD Big Minor Seventh Pad [SN], 2 OSC with 10 Unison on both: 18-19% holding one note.
agreed. i demo'd it on my intel centrino 1.8ghz toshiba tablet test unit. playing a single note of the pads patch"holy place" shot the CPU usage gauge to 42% in savihost.... compared to the miniscule 5% Synth1 registers with a 2 voice unison mode pad!highkoo wrote:So, yay.![]()
Pretty great.
A contender.
The cpu use is the only thing keeping this from being the king of the castle, imo.
I would call it cold, clean and transparent simultaneously. In my opinion it is a wonderful. Let it be an instrument with such sound. (Because there Waldorf for other any great sides of WT).fceramic wrote:Unfortunately it sounds really really cold and modern
The ease of programming is hugely important to me and this is a very similar synth to Waldorf Nave though the wavetable editing is more flexible and powerful.fceramic wrote:This synth is a lot of fun to program, so visual and logical. Unfortunately it sounds really really cold and modern like most spectral synths. Was kinda hoping this would be a traditional subtractive wavetable synth like PPG. I also noticed that even the filters seem to be spectral and the filter drive only adds gain - no saturation going on. For a modern wavetable synth I have to say I much prefer the sound of Waldorf Nave, though I'm sure the EDM kids will be all over this for those plastic sounds.
| LinksMy exact thoughts...very powerful wavetable synth but the sound is too clinical/cold, cpu usage is pretty bad also but its fun to program on and the ui is great along with the filters.fceramic wrote:This synth is a lot of fun to program, so visual and logical. Unfortunately it sounds really really cold and modern like most spectral synths. Was kinda hoping this would be a traditional subtractive wavetable synth like PPG. I also noticed that even the filters seem to be spectral and the filter drive only adds gain - no saturation going on. For a modern wavetable synth I have to say I much prefer the sound of Waldorf Nave, though I'm sure the EDM kids will be all over this for those plastic sounds.
Well the problem I have with spectral synthesis comes down to the lack of per voice distortion. Feeding a complex additive sound into external effects will not really make it sound less cold. I'm pretty sure that Waldorf Nave used a classic Waldorf filter design that adds a lot of "analog charm" and controls the voice levels. I would love to see Xfer add something similar to that in Serum - an analog style filter with soft clip.secretkillerofnames wrote: Of course your idea of "cold" VS "warm" is entirely subjective - but there is no reason why you have to use the in built filter and distortion modules if external filtering and saturation provides a "warmer" result. As a sound design tool I think it fits the niche I was looking to fill and i'm at least 20years away from being an EDM kiddy
You guys likeky missing some voice drift function.DocShay wrote:My exact thoughts...very powerful wavetable synth but the sound is too clinical/cold, cpu usage is pretty bad also but its fun to program on and the ui is great along with the filters.fceramic wrote:This synth is a lot of fun to program, so visual and logical. Unfortunately it sounds really really cold and modern like most spectral synths. Was kinda hoping this would be a traditional subtractive wavetable synth like PPG. I also noticed that even the filters seem to be spectral and the filter drive only adds gain - no saturation going on. For a modern wavetable synth I have to say I much prefer the sound of Waldorf Nave, though I'm sure the EDM kids will be all over this for those plastic sounds.
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