New Synth Teaser Vid
- KVRAF
- 6466 posts since 18 Jul, 2008 from New York
I know it's none of my beeswax but I don't like the GUI. Hexy is not sexy.
Well, at least Presswerk looks really good.
Well, at least Presswerk looks really good.
- KVRAF
- 1735 posts since 28 Dec, 2007
it might be similar to sylenth in functionality but the sound of sylenth is quite distinct - and more analogue modelled than people think...Im not certain but I get the idea that Hive is set up to be a more digital hypersaw synth which could perhaps be more like Dune...here is a comparison to show its not just the detune that makes a difference but the Osc also. Serum is matched to Sylenth using a OB8 saw wavetable...
https://www.gearslutz.com/board/10490511-post101.html
https://www.gearslutz.com/board/10490511-post101.html
Presets for u-he Diva -> http://swanaudio.co.uk/
- KVRAF
- 2258 posts since 25 Jun, 2008 from Montreal, Canada
2014 or 2015?
- KVRAF
- 14456 posts since 16 Feb, 2005 from Planet Earth, Somewhere
I find u-he synths never fail to completely astonish me. Class by themselves. Looking forward to this.
Rsp
Rsp
Last edited by zvenx on Sat Oct 25, 2014 10:47 pm, edited 2 times in total.
sound sculptist
- u-he
- 30194 posts since 8 Aug, 2002 from Berlin
I disagree.analoguesamples909 wrote:the sound of sylenth is quite distinct - and more analogue modelled than people think..
Sylenth uses mipmapped wavetables. The wavetables switch (as opposed to crossfade) depending on frequency, there are two per octave. The supersaw detune is not bound by any certain law because it is different for each voice (randomly chosen in a lookup table?)
The forward path of the filter has no distortion. The saturation (regardless if "Warm Drive" is on or not) sits in front of the filter. The resonance path of the filter has a 3rd order distortion so that the filter is capable of self oscillation, once excited. From the amount of aliasing (which is very low for a non-oversampled filter) we can exactly determine the maximum gain of the resonance. I believe that Warm Dive also changes the waveshaper in the feedback path because the filter cutoff gets attenuated a bit. This also points to a naive filter with a unit delay (as opposed to solved zero delay feedback), which was state of the art at that time.
Nothing points at analogue modeling, just really clever choice of standard features.
:-p
edit: and also, I think the way it's set up is actually beneficial for its sound. Analogue modeling would possibly be a hinderance.
- u-he
- 30194 posts since 8 Aug, 2002 from Berlin
- u-he
- 30194 posts since 8 Aug, 2002 from Berlin
Of course we do. I didn't realise it at first read eitherzvenx wrote:lol.........'thanks' Urs for adding to the embarrassment....
you know I meant the complete opposite.
- KVRAF
- 1735 posts since 28 Dec, 2007
Hi Urs I wasnt really meaning in a technical sense but more that it models analogue synths (as opposed to other unison synths)...whatever the method - its plain saw waves sound more 'analogue' and very similar to an OB8 saw in serum - compared to the much cleaner digital VA sounds of the synths I compared it to (audio in the link of post)...I need to check tho - if this is slightly due to the 12db filter taking the highs off a tad...might of been making it sound more vintage...perhaps it was that and the random detune you mention that make it 'sound' more analogue...still - whatever it does - it works quite well...Urs wrote:I disagree.analoguesamples909 wrote:the sound of sylenth is quite distinct - and more analogue modelled than people think..
Sylenth uses mipmapped wavetables. The wavetables switch (as opposed to crossfade) depending on frequency, there are two per octave. The supersaw detune is not bound by any certain law because it is different for each voice (randomly chosen in a lookup table?)
The forward path of the filter has no distortion. The saturation (regardless if "Warm Drive" is on or not) sits in front of the filter. The resonance path of the filter has a 3rd order distortion so that the filter is capable of self oscillation, once excited. From the amount of aliasing (which is very low for a non-oversampled filter) we can exactly determine the maximum gain of the resonance. I believe that Warm Dive also changes the waveshaper in the feedback path because the filter cutoff gets attenuated a bit. This also points to a naive filter with a unit delay (as opposed to solved zero delay feedback), which was state of the art at that time.
Nothing points at analogue modeling, just really clever choice of standard features.
:-p
edit: and also, I think the way it's set up is actually beneficial for its sound. Analogue modeling would possibly be a hinderance.
Presets for u-he Diva -> http://swanaudio.co.uk/
- u-he
- 30194 posts since 8 Aug, 2002 from Berlin
Very good example. I agree that Sylenth sounds strongest in this, but not necessarily the most pleasing. The Dune example doesn't seem to have full stereo panning, it sounds like voices are spread evenly in the stereo panorama.analoguesamples909 wrote:it might be similar to sylenth in functionality but the sound of sylenth is quite distinct - and more analogue modelled than people think...Im not certain but I get the idea that Hive is set up to be a more digital hypersaw synth which could perhaps be more like Dune...here is a comparison to show its not just the detune that makes a difference but the Osc also. Serum is matched to Sylenth using a OB8 saw wavetable...
https://www.gearslutz.com/board/10490511-post101.html
