why no dry/wet knob on flange mode in Satin ?

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Yeah i was just thinking that :oops: :hihi:

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Kriminal wrote:
2ZrgE wrote:
Kriminal wrote:He clearly said he is using Logic, not reaper or live :roll:
And I said with Live you could put it in a rack with dry/wet chain.

:ud:

Got it?

yeah, i got it.... you info is not relevant and quite pointless. Got that? :tu:
Hmm, not for you to decide that I'm afraid.

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Kriminal wrote:
deft_bonz wrote:
Kriminal wrote: yeah, i got it.... you info is not relevant and quite pointless. Got that? :tu:
Some just can't post without starting the DAW-flame-war ;)
Its nothing to do with that. I dont use any of the hosts mentioned. The point is, he asked for help in Logic. Some ppl clearly cannot read.
And you are clearly one of them.

Or maybe reading is not your problem, but understanding what you read?

Anyway, made my point, don't want to waste time explaining things which are easy to understand, have a nice day dear! :tu:

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2ZrgE wrote:
Or maybe reading is not your problem, but understanding what you read?

Anyway, made my point, don't want to waste time explaining things which are easy to understand, have a nice day dear! :tu:

Logic.... one word, and yet your genius self missed it.

Jog on McTedious, theres a good boy.

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That all of you for the highly relevant comments , very helpful !!!!! :P


i'll give a try to blue cat patchwork...

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My wife has a dry/wet knob too :P
No band limits, aliasing is the noise of freedom!

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Krakatau wrote:That all of you for the highly relevant comments , very helpful !!!!! :P


i'll give a try to blue cat patchwork...

Why not using aux?
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deft_bonz wrote:
Krakatau wrote:That all of you for the highly relevant comments , very helpful !!!!! :P


i'll give a try to blue cat patchwork...

Why not using aux?
it's on master track, i need to insert Satin to avoid any latency... :(

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Wouldn't the plugin delay compensation compensate that? Asking if you don't intend to listen live inputs ;)
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:?

supposedly yes...

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Seems you won't be able to use it how you want... Did you know that Live has a rack ... :D :D :D :D

BTW any rack wouldn't solve your problem, since you need a separate dry/wet on the flanger only, right?
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deft_bonz wrote:Seems you won't be able to use it how you want... Did you know that Live has a rack ... :D :D :D :D

BTW any rack wouldn't solve your problem, since you need a separate dry/wet on the flanger only, right?
indeed...

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So I think the only way to do it, is to bounce the master with the very light tape effect. Then to incorporate the flanger... but then then again, NOT REALTIME...

Urs, so it's up to you now ;)
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deft_bonz wrote:Urs, so it's up to you now ;)
Not the most common situation very likely, but beyond the case i assume it could be useful, even with the last stage of tape emulation bypassed


...IMHO, Maitre Urs !

:hail: :hail: :hail:

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After a few essay i definitely feel that it might be useful, especially on mastering stage, to have the opportunity to reduce the intensity of the flanging effect as precisely as it synchronization to a host sequencer has been implemented

The dry/wet knob is just a related suggestion, …and not necessarily the most accurate !

my two cents…but i assume not being the only one

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