We don't think it's a bug or misbehaviour, it's rather a design decision. Our M/S encoder matrix is the same as can be found on old or established hardware designs like the Fairchild (as can be observed with the UAD and Overtone S/W variants). We think offering a set of independent input controls prior to encoding allows for corrective and also creative adjustments. The 'corrective' way is often a typical task in stereo-track treatment of analog origin, where any small balance mismatch can easily ruin the spatial integrity.woodsdenis wrote:The issue I hi lighted in the previous beta regarding the M/S issue still remains.
With M/S mode on, unlink, select Channel one (mid). You can the compress, set Output etc and it rightly affects the mid, except the Input is still in L/R mode. Increasing/decreasing this affects the Left channel
Same applies to Ch2(side) very thing works as it should except the input which is in L/R.
Surely in M/S mode the input on Ch1 should be the Mid attenuating the Compressor. ?
In other words, having the input levels after the encoder in some way cripples the available options for precise adjustment, which we just found inappropriate for this kind of product.
