700 posts! -- I love round numbers... and the lucky 7 too!
A rise of "Page 22" (post by Jan) rubbish in the Cafe?
- KVRian
- 838 posts since 7 Jul, 2008 from Lost in the wilderness
Hey, look at that ---------------------------------------------------------------------------->
700 posts! -- I love round numbers... and the lucky 7 too!
700 posts! -- I love round numbers... and the lucky 7 too!
- Banned
- 10196 posts since 12 Mar, 2012 from the Bavarian Alps to my feet and the globe around my head
That's exactly what I'm practicing but sometimes it can be interesting to listen to a song or track you don't like to find out what to avoid in making music. For example 2 minute long intros with an annoying 4-to-the-floor-beat...cryophonik wrote:Or, instead of being perceived as a bunch of elitist jerks, maybe some of us could just figure out how to not listen to music that we're not interested in hearing. It's actually quite simple and I've been successfully doing it for decades. If there's enough interest, I could make a short tutorial. At first, it may take you an hour or so to figure out how to not click on a link to a song that you're not interested in hearing, but, with enough practice, you can actually learn do it in less than one second. Yeah, seriously.
- KVRAF
- 5223 posts since 20 Jul, 2010
Or the opposite problem, an 8 bar intro and then start with the risers and "epic" slow pitchbends up, leading into a first drop at approximately 30 seconds into the trackTricky-Loops wrote:That's exactly what I'm practicing but sometimes it can be interesting to listen to a song or track you don't like to find out what to avoid in making music. For example 2 minute long intros with an annoying 4-to-the-floor-beat...cryophonik wrote:Or, instead of being perceived as a bunch of elitist jerks, maybe some of us could just figure out how to not listen to music that we're not interested in hearing. It's actually quite simple and I've been successfully doing it for decades. If there's enough interest, I could make a short tutorial. At first, it may take you an hour or so to figure out how to not click on a link to a song that you're not interested in hearing, but, with enough practice, you can actually learn do it in less than one second. Yeah, seriously.
http://sendy.bandcamp.com/releases < My new album at Bandcamp! Now pay what you like!
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- KVRAF
- Topic Starter
- 2295 posts since 18 Oct, 2010 from Japan
Sendy wrote:
Or the opposite problem, an 8 bar intro and then start with the risers and "epic" slow pitchbends up, leading into a first drop at approximately 30 seconds into the track
....Stirling.....again....
I agree with the idea of listening to music you don't like to hear what not to do.
- Banned
- 10196 posts since 12 Mar, 2012 from the Bavarian Alps to my feet and the globe around my head
After the epic riser, shouldn't there be a break-down, so people can prepare their ears for the next drop?Sendy wrote:Or the opposite problem, an 8 bar intro and then start with the risers and "epic" slow pitchbends up, leading into a first drop at approximately 30 seconds into the trackTricky-Loops wrote:That's exactly what I'm practicing but sometimes it can be interesting to listen to a song or track you don't like to find out what to avoid in making music. For example 2 minute long intros with an annoying 4-to-the-floor-beat...cryophonik wrote:Or, instead of being perceived as a bunch of elitist jerks, maybe some of us could just figure out how to not listen to music that we're not interested in hearing. It's actually quite simple and I've been successfully doing it for decades. If there's enough interest, I could make a short tutorial. At first, it may take you an hour or so to figure out how to not click on a link to a song that you're not interested in hearing, but, with enough practice, you can actually learn do it in less than one second. Yeah, seriously.
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
Yes I was being sarcastic about Happy Days, but it was really mid 70's to early 80'sAxis1~SL61 wrote:Hink wrote:I think that happened to a lot of us, wasn't that the Fonzarelli effect?The only "Fonzerelli effect" I know about was the one described in the '80s "Happy Days" series (part of the '50s revival that took place in the '80s, yes), but anyway what I mean is that I don't discard music as "dated", "passé" or uninteresting just by becaude it uses older sounds or is inspired by past trends. I like new sounds, but making music that uses old sounds in new contexts, mixing genres and making something that doesn't fit in any genre (by having elements of different genres) can sound good and interesting as well (at least to me)
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
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- KVRAF
- 16977 posts since 23 Jun, 2010 from north of London ON
debra1rlo wrote:if you mean this thread has "jumped the shark", then yes, 100% agreeHink wrote:I think that happened to a lot of us, wasn't that the Fonzarelli effect?![]()
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Barry
If a billion people believe a stupid thing it is still a stupid thing
If a billion people believe a stupid thing it is still a stupid thing
- KVRAF
- 7873 posts since 21 Dec, 2002 from MD USA
let's see some examples of your music that is acceptable for kvr?
my music: http://www.alexcooperusa.com
"It's hard to be humble, when you're as great as I am." Muhammad Ali
"It's hard to be humble, when you're as great as I am." Muhammad Ali
- KVRAF
- 7873 posts since 21 Dec, 2002 from MD USA
debra1rlo wrote:defensive much? why does it have to be a pissing contest?ATS wrote:let's see some examples of your music that is acceptable for kvr?
how is this defensive? I really want to know
my music: http://www.alexcooperusa.com
"It's hard to be humble, when you're as great as I am." Muhammad Ali
"It's hard to be humble, when you're as great as I am." Muhammad Ali
- KVRAF
- 4801 posts since 1 Aug, 2005 from Warszawa, Poland
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- KVRist
- 217 posts since 23 Nov, 2014
I'm with what ATS said, we can talk all day about music we don't like, but why talk in negatives when we can show music that we do like?
That other people can compare it to "EDM"
Tho honestly if people *are* joining the forums to just post in there over and over, it might be worth it to put, say a 5 to 15 post limit before they can start a topic, similarly to how the forums treats signatures. I think 50 is too much as if you post say 2-3 posts a day (a reasonable amount) 50 or 100 would take you anywhere from a month to three to get in there.
If people know that they will either look for other forums to try to get exposure or spam, so I guess there is a downside but at the same time spamming to up post count will make it pretty obvious who's serious and who's not much quicker and thus to promptly ignore.
That other people can compare it to "EDM"
Tho honestly if people *are* joining the forums to just post in there over and over, it might be worth it to put, say a 5 to 15 post limit before they can start a topic, similarly to how the forums treats signatures. I think 50 is too much as if you post say 2-3 posts a day (a reasonable amount) 50 or 100 would take you anywhere from a month to three to get in there.
If people know that they will either look for other forums to try to get exposure or spam, so I guess there is a downside but at the same time spamming to up post count will make it pretty obvious who's serious and who's not much quicker and thus to promptly ignore.
But that would be too easy.cryophonik wrote:Or, instead of being perceived as a bunch of elitist jerks, maybe some of us could just figure out how to not listen to music that we're not interested in hearing. It's actually quite simple and I've been successfully doing it for decades. If there's enough interest, I could make a short tutorial. At first, it may take you an hour or so to figure out how to not click on a link to a song that you're not interested in hearing, but, with enough practice, you can actually learn do it in less than one second. Yeah, seriously.
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- Banned
- 9890 posts since 14 Nov, 2006
you appear to be challenging people to some sort of "acceptable for kvr" screening process. as if you were some sort of arbiter for the site, presumably (seeing as you are active in the cafe) using your work as some sort benchmark for acceptability. why does it matter if my music is "acceptable for kvr" if I think this thread is an unproductive discussion? seemed defensive to me on the surface.ATS wrote:debra1rlo wrote:defensive much? why does it have to be a pissing contest?ATS wrote:let's see some examples of your music that is acceptable for kvr?
how is this defensive? I really want to know

