Bazille Filter Question

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EvilDragon wrote:44.1k I think.
"LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).

One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems."

From the manual.

Since we have 4 very capable osc's in Bazille, i guess we don't need the lfo's to do proper keytracking. But, it would be fun ;)

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I know the Blofeld manual. ;)

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exmatproton wrote:
EvilDragon wrote:44.1k I think.
"LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).

One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems."

From the manual.

Since we have 4 very capable osc's in Bazille, i guess we don't need the lfo's to do proper keytracking. But, it would be fun ;)
I would like to see the Bazille Osc's get a mono/poly switch and a one shot mode for use as envelopes

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pdxindy wrote:
exmatproton wrote:
EvilDragon wrote:44.1k I think.
"LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).

One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems."

From the manual.

Since we have 4 very capable osc's in Bazille, i guess we don't need the lfo's to do proper keytracking. But, it would be fun ;)
I would like to see the Bazille Osc's get a mono/poly switch and a one shot mode for use as envelopes
That would be a nice addition :) :tu:

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(wrong thread, ignore me :))

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exmatproton wrote:
pdxindy wrote:
exmatproton wrote:
EvilDragon wrote:44.1k I think.
"LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).

One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems."

From the manual.

Since we have 4 very capable osc's in Bazille, i guess we don't need the lfo's to do proper keytracking. But, it would be fun ;)
I would like to see the Bazille Osc's get a mono/poly switch and a one shot mode for use as envelopes
That would be a nice addition :) :tu:
+1 One-shot LFO's and one-shot mapping generators would be terrific additions (especially for ACE, which imo could really use that little extra ).

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