Good to know. I'll be waiting to see what they do with Trilian.noiseboyuk wrote: Whole thing is well worth a read, but this is the most relevant paragraph right at the end:We've got things in the works for Trilian, and also RMX - we haven't forgotten about rhythm! - so there's a long future for all the things we do. And there'll be new instruments, too - not just the three we've done, but new ones.
I spent a couple of hours demoing it the other day and I did enjoy the play-ability of the electric/acoustics and the fact that its editing is as easy as Omni in the same type of format. For me it was a little too much in the synth basses and seemed like it would be an overkill/overlap. And something I read here about how it triggered was noticeable in certain patches. But I tend to think it was part of the patch programming and was able to tweak quite a bit of it out (although not completely).
ATP, I know relatively nothing about RMX except from MP3 sound demos and feature lists. But I've been told that doing odd time signatures is one of its strengths, so I will be checking for that specifically. Good to keep up on this though. Thanks for that mag snippet.

