Omnisphere 3

4,75/5.

I recently bought a used license of Omnisphere and upgraded it today to V3.

And what can I say... there is no better Synth than Omnisphere 3 (even though I love Serum and Vital as much).

You can literally do anything (granular, analog, additive.....). It took a tiny bit to understand how I can program my own patches (a week approximately) but now that I'll do it's even more amazing. The sounds are amazing and lightweight and CPU friendly and the round Rubin system is out of this world (I literally set up an arp with no velocity - no machine gun sound). And the new Mutaions feature is just so much fun especially with your won patches.

And though I know it's expensive, but after serum this should be your next investment, especially now where you can use Omnisphere's fx in your DAW.

Only downsides are, that there are barely some useable pianos (though with V3 there are some decent ones in there), because for that you need to buy Keyscape (for which I wish there would be a discount if you own Omnisphere 3) and that you can't favorite your sounds outside the big sound browser.

Asside from that, Omisphere is just the GOAT! So truly buy it - it's worth it. Also once I have like 50 patches I made myself I will publish a free and a 2$ pack.

I purchased Omnisphere out of the blue, but also because I won 3 parlays at Caesar's Casino and wanted something to show for the money. I also ended up purchasing the Sequential Prophet Rev 2, 16 voice synthesizer, some Yamaha HS7 Studio Monitors, and Alesis Multimix8 FX Studio Mixer, FL Studio Complete, FL Studio Fire, Novation FL Key 37, Mangler, Serum, Vochlea Dubler 2, new Guitar Strings, and began to set up the most amazing music production studio! This has been my dream for so long! However, I had no idea Omnisphere was going to be such a beast that would totally dominate my MP workflow. It was by far the best musical purchase I've ever made, mainly because you are only limited by your imagination, in terms of what types of sounds you want to create. Omnisphere makes it possible to create the most unusual amazing sounds, something I never dreamed would be possible when I started this adventure. When it comes to finding any type of sound you want, and then recreating something blissful out of it, only Omnisphere could be so powerful, and simple to use with a little practice. Omnisphere gives me endless hours of fun, and it never gets old, now that's really special, and the owners know it. It's a masterpiece of programming knowledge, and people should consider themselves very lucky to have discovered such a powerful music production instrument. It's a once in a lifetime opportunity. I am totally hooked, and from dawn until dusk I am creating amazing beats and sounds that I'm fairly certain have never been heard before in this universe. It's the product of the century for music producers.

This is not a complete description of all Omnisphere can do. If you want a complete review you better head over to the Sound on Sound website and make sure you read the manual! This is also just a very personal opinion on Omnisphere and the reasons why, for me, it's a great product.

Omnisphere is a rompler. There's an extremely large amount of sampled "soundsources" available plus a very decent amount of modeled analog waveforms. All go through a subtractive synthesis engine that allows you to sculpt the sound to your liking. A big bunch of effects really put the icing on the cake. I'd don't think I'd buy these effects to mix with, but as a complement to the sound engine I think they're fine.

Omnisphere is not a sampler, meaning you can't use your own samples and create complicated keymaps, switches or round robin setups. I'm fine with that as I never use my own samples to create realistic instruments anyway. You can however import your samples and use them for granular synthesis and that I really love. You can create whole soundscapes from a short field recording or a sample from a record.

Usually I'm not a fan of multi timbral VST's. I'd rather open new instances on new tracks, because that way every instrument has it's own track in my DAW and I can easily sculpt the sound further with other plugins. Spectrasonics warns us that using multiple instances will cause extra overhead, so I was glad to find that setting up a multi in Omnisphere is really very easy. I'm having no trouble at all.

Omnisphere does one thing very well that not many VST's offer nowadays. I've always loved the sound of the Roland D-50 and Korg Wavestations. They offered kinda realistic recreations of real instruments, but really excelled at creating hybrid sounds: subtractive synthesis based on samples. Apart from Absynth I don't know any plugin that does this well, and in fact, Omnisphere does this a lot better, I think, because it's synthesis engine is so much simpler to use.

Omnisphere's huge sound library and synthesis engine becomes even more powerful if you have one of the supported hardware synths. My Nordlead has really gotten a new lease of life with Omnisphere. With the Nordlead acting as a fully integrated controller I'm tweaking away on sounds the Nordlead could never do. Software has suddenly become more hands-on then it has ever been for me.

Omnisphere is definitely the most expensive VST I have. It cost me more than many of the DAW's I've used. But the alternative to buying Omnisphere for me was not another VST. It was buying a hardware synth, because I really need that hands-on control to stay inspired. Suddenly, with the hardware integration and a Nordlead sitting next to me the price made sense. Great sonic possibilities, hands-on control, total recall from within the DAW, it's hard to beat.

If you have something like a Bassstation2 or a Miniloque and are looking for different sounds to complement these instruments Omnisphere is a unique proposition.

I do wish some user interface elements were just a little bigger. The ability to switch on or off layers, effects and the arpeggiator right from the main page is awesome, but why are these LED-like switches so damned tiny? The magnifying glasses that open the detailpages are also a bit too small to my liking. The whole interface of Omnisphere can be scaled, but only 1x will fit my 15" laptop so that does not help me much.

There's one more thing: the arpeggiator is great. It's very flexible and, yes, it's also very easy to use. You can do old fashioned arpeggiated chords and basslines, but it's also possible to choose any of the percussive patches and use the arpeggiator as a stepsequencer to create beats. I've had lot's of fun with it.

ps: I contacted support because Omnisphere was not storing my preferences. I was impressed by their quick, knowledgeable and friendly replies. It turned out the standalone application and Ableton Live were not running with the proper administrative rights on my system and they helped me set it up correctly.

Omnisphere 2 has replaced all my outboard gear. I've been producing electronic music, professionally for over 15 years and find that it's much quicker and easier to work "inside the box". The sound I get from this beast is just as good, if not better than any of the analog gear I used to own, and for much less the cost. Full disclosure, I create 3rd party patches for Omnisphere, so I've had years to dive deep into it. And since it keeps getting better with improvements (all of which are free to registered users), I don't have to worry about it becoming outdated or obsolete at some future point.