Ahhh...there's the rub. Think of Bach, or even the Baroque style, in that period: "no parallel fifths," all harmony modally diatonic to that key (excepting modulations to other keys, however briefly).Sendy wrote:...and is just complex enough for someone like me to feel like they have an interesting boundary of limitations to constantly push against, allowing me to create very un-analog sounds like chiptunes, additive experiments, soundscapes and SFX, as well as doing an amazing job of analog goodness.
Oh...and you can't tune the pipe organ, the pianoforte was just a glimmer (no velocity response) at the time. Yet the polyphony is perfection - and seldom used in that way today!
"There's freedom in limitations - genius, even."
I have Diva, Zebra2 and Dark Horse. There is soooo much 'freedom' in Zebra 2 that I just literally 'lock up.'
I'm not kidding. In the limited time I have daily to play with it, if I just set some limitations (no sweeping wave series with LFO or ENV or VEL, use no filters at all - just OSC mod - etc. etc.), my progress in learning Z2 would be more rapid, I'm certain. But I'm blessed in being able to have/explore/use these wonderful instruments at my leisure. Thanks Urs, team and wonderful sound craftsmen/women!
