Anyway,
http://s94949173.onlinehome.us/kim/Britney.mp3
Yes, I know... the vocals aren't that hot.
Forever,
Kim.
I mean Britney herselfJeez wrote:Huh? What real thing?Mystahr wrote:I'd vote for this over the real thing though
Aye, you won't be hearing much of those evil nasty big long reverbs on todays pop. It's more about layering of sounds and using different eqs/compressors to get a thick sound, with spot fx such as delays flown in on single lines or even words.wopelka wrote:minimalistic production.
is it the commercial pop sound these days? honestly, i have no clue about that.
Hmm yeah, could probably do with a bit of each.donkey tugger wrote:Quite well done this, needs a bit more 'snap' on the snare (blockfish + a bit of eq?), and probably a bit more double tracking on the vocals to give it the thick, 'produced' sound.
Damn! I forgot the delay-on-a-single-word trick!donkey tugger wrote:It's more about layering of sounds and using different eqs/compressors to get a thick sound, with spot fx such as delays flown in on single lines or even words.
I know what you mean, and I think I know what the culprit is. Anyway, this is only my 2nd attempt at commercial pop, so I've still got a long way to go!Manc Chris wrote: Bit too 'loose' though. I understand where you are trying to go with the feel - but to me it is neither here nor there. Whole thing needs tightening up.
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