People fall for that. 263 GB is overkill and relies on people falling for the bigger is better. The average person on the street probably couldn't tell the difference from a 263 GB piano and a GM patch. EastWest Hollywood Orchestra Platinum may be that size and you would get much more use out of that.Armadillo wrote:Usually bigger is better when it comes to sample libraries.Numanoid wrote:Once I wanted Goliath, but not anymore, 40 GB for just 600 patches
Their piano is 263 GB for 4 pianos. So Goliath is tiny really.
But seriously, a 4 TB HD can be bought for like $110 these days, so size doesn't really matter - until you try to load it with your 2 GB RAM
Bargain Center: discussion, gossip, etc.
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- KVRist
- 297 posts since 26 Oct, 2002
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- KVRAF
- 2108 posts since 31 Dec, 2002 from London, UK
I don't disagree completely. I think 263 GB is totally overkill for 4 pianos but in case of Goliath it's less that 70 MB per patch which isn't much at all.kitekrazy wrote:People fall for that. 263 GB is overkill and relies on people falling for the bigger is better. The average person on the street probably couldn't tell the difference from a 263 GB piano and a GM patch. EastWest Hollywood Orchestra Platinum may be that size and you would get much more use out of that.Armadillo wrote:Usually bigger is better when it comes to sample libraries.Numanoid wrote:Once I wanted Goliath, but not anymore, 40 GB for just 600 patches
Their piano is 263 GB for 4 pianos. So Goliath is tiny really.
But seriously, a 4 TB HD can be bought for like $110 these days, so size doesn't really matter - until you try to load it with your 2 GB RAM
Perhaps the average person can't tell the difference between a deeply sampled piano and a GM piano if it's buried in a pop track, but for a solo classical piano piece I'm pretty sure they can.
I mean, why do we all keep buying newer and more expensive gear?
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- KVRian
- 820 posts since 30 Nov, 2011
Seems like a very good deal. Anyone has any experience with any of them?Numanoid wrote:Plugin Alliance flash weekend sale alpha compressor & bx_dynEQ V2 Bundle at $99 (reg $598)
For those already owning one of them, can get the other for $49,5
https://www.plugin-alliance.com/en/prod ... eq_v2.html
- KVRAF
- 25849 posts since 20 Jan, 2008 from a star near where you are
Why not go for PianoTeq ?Armadillo wrote:Perhaps the average person can't tell the difference between a deeply sampled piano and a GM piano if it's buried in a pop track, but for a solo classical piano piece I'm pretty sure they can.
I mean, why do we all keep buying newer and more expensive gear?
- KVRAF
- 5646 posts since 15 Dec, 2011
I have the Alpha, which I love and bx_Boom, which is a small part of bx_DynEQ, great for enhancing kick drums. I'd say $99 gets you some pretty awesome tools. Definitely demo them.Ryan99 wrote:Seems like a very good deal. Anyone has any experience with any of them?Numanoid wrote:Plugin Alliance flash weekend sale alpha compressor & bx_dynEQ V2 Bundle at $99 (reg $598)
For those already owning one of them, can get the other for $49,5
https://www.plugin-alliance.com/en/prod ... eq_v2.html
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- KVRist
- 297 posts since 26 Oct, 2002
I highly doubt that as few people listen to classical music to begin with.Armadillo wrote:I don't disagree completely. I think 263 GB is totally overkill for 4 pianos but in case of Goliath it's less that 70 MB per patch which isn't much at all.kitekrazy wrote:People fall for that. 263 GB is overkill and relies on people falling for the bigger is better. The average person on the street probably couldn't tell the difference from a 263 GB piano and a GM patch. EastWest Hollywood Orchestra Platinum may be that size and you would get much more use out of that.Armadillo wrote:Usually bigger is better when it comes to sample libraries.Numanoid wrote:Once I wanted Goliath, but not anymore, 40 GB for just 600 patches
Their piano is 263 GB for 4 pianos. So Goliath is tiny really.
But seriously, a 4 TB HD can be bought for like $110 these days, so size doesn't really matter - until you try to load it with your 2 GB RAM
Perhaps the average person can't tell the difference between a deeply sampled piano and a GM piano if it's buried in a pop track, but for a solo classical piano piece I'm pretty sure they can.
I mean, why do we all keep buying newer and more expensive gear?
- KVRAF
- 25849 posts since 20 Jan, 2008 from a star near where you are
Unfortunately VAT will be added to the sales price for unlucky Europeanse@rs wrote:Seems like a very good deal. Anyone has any experience with any of them?I have the Alpha, which I love and bx_Boom, which is a small part of bx_DynEQ, great for enhancing kick drums. I'd say $99 gets you some pretty awesome tools. Definitely demo them.
Last edited by Numanoid on Sat Mar 12, 2016 5:08 pm, edited 1 time in total.
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- KVRAF
- 9131 posts since 28 Apr, 2013
"Father of the Arpeggiator" ?Fleer wrote:There can be only one: Johann Sebastian Bachkitekrazy wrote: I highly doubt that as few people listen to classical music to begin with.
I regularly listen to Beethoven, Dvorak, Grieg, Borodin, Mussorgsky, Debussy, Chopin, Copland, Britten and many more. I even still play some from time to time. Although I'm far less proficient with them now than I was in my youth. But then again, I hated Opera when I was young and have developed a deep love and respect for much of it... as much as any of the Chorale's that are regularly brought up on my shuffle.
I love when a friend comes into the house and hears Massive Attack immediately followed by something like Bizet's La Habanera. It often opens their mind beyond their preconceived notions and lets them grow up a little bit.
Yes, 'few people' listen because few people mature.
Most just get older.
- KVRAF
- 5624 posts since 23 Aug, 2014 from Boston/Cambridge
Loved the god of counterpoint since I discovered my listening capabilities.
Never went for opera, however, in all those years. Maybe some Mozart. Maybe Papageno's lament. But no, Bach is god.
Never went for opera, however, in all those years. Maybe some Mozart. Maybe Papageno's lament. But no, Bach is god.
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- KVRAF
- 9131 posts since 28 Apr, 2013
I think most considered Mozart to be god, which is why he was as much hated as he was loved in his time. I prefer to think of them all as messengers of the human spirit reaching the divine within.Fleer wrote:Loved the god of counterpoint since I discovered my listening capabilities.
Never went for opera, however, in all those years. Maybe some Mozart. Maybe Papageno's lament. But no, Bach is god.
- KVRian
- 988 posts since 25 Dec, 2007 from Copenhagen
The divine was mostly based on commissional works and sometimes felt as a burden.BBFG# wrote:I think most considered Mozart to be god, which is why he was as much hated as he was loved in his time. I prefer to think of them all as messengers of the human spirit reaching the divine within.Fleer wrote:Loved the god of counterpoint since I discovered my listening capabilities.
Never went for opera, however, in all those years. Maybe some Mozart. Maybe Papageno's lament. But no, Bach is god.
Principals asked for lifted stuff which he considered as something divorced from reality.
His little giving backs are things like:
Leck mich im Arsch (lick me in the arse) KV 231
and
Leck mir den Arsch fein recht schön sauber (lick me in the ass fine well and clean) KV 233
I love Mozart, so natural.
Intel i7-4790K | Gigabyte Z97X-UD3H | 32GB Crucial Ballistix Sport | RME Babyface Pro | UAD PCIe Octo, Quad | Asus GT 730 | W11 Pro | S1 v6.5
- KVRAF
- 5624 posts since 23 Aug, 2014 from Boston/Cambridge
Went twice on a pilgrimage to Salzburg. He was alright, that Mozart guy. Particularly his great Mass, or his Requiem, but then again that's not entirely his. A messenger of the divine within humanity he certainly was. And I do like several works from the likes of Schubert, Beethoven, Grieg, or even Copeland. But for me, Bach is at an entirely different level, divinity incarnate.
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