Thank you Numanoid much appreciated.. that was a production that was divinely inspired, so yes I did most of it in a complete live take and not sequenced so that I could express my soul desire in the music.. I am glad that you felt it.. then I have achieved what I set out to do!!Numanoid wrote:This is an excellent production, you've managed to get it to sound acoustic and alive
What genres of music do you compose or produce and post some examples of your work please!
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- KVRAF
- Topic Starter
- 2778 posts since 3 Dec, 2006
- KVRian
- 1268 posts since 12 Aug, 2004
I don't restrict myself to a genre. I have posted nearly every track I have finished to the Music Cafe...largely to the disinterest of KVR..to languish in obscurity. Every post I make has a link to my 50 plus songs on SoundCloud and there is a link there to the 300 plus on Acid Planet.( No...I use VSTs,MIDI, and samples...not just loops) My point is I anticipate the same level of disinterest.The opportunity exists now and has always existed to click the ever present link on this and every other post. My musical persona and output will continue to exist with or without KVR.
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- KVRist
- 79 posts since 5 Feb, 2015
Thanks! Because of what I was doing, I couldn't use a shotgun mic (or even a lavalier, really), so I used my portable (a Sony PCMD100). That thing amazes me more and more every day. And half the time, I couldn't even check the level properly because, well, it was enclosed in something!Really like the enclosures track - beautiful use of silence and the individual sounds are so clean!
I am probably from a similar tradition -
As for your track. The field recordings are stunning. Were you able to leave your equipment alone in the wilderness for a while? I also like the musical progression of the guitar, which is very "respectful" and understated. It's really nice work.Here's a piece using both field recording and classical guitar https://soundcloud.com/greghooper/insect-stream
Steve
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- KVRAF
- 2357 posts since 24 Nov, 2012
thanks - that Sony looks like a great recorder - I now use the cheaper but still very good SONY PCM M10 - which is what I recorded the guitar with I think. That insect recording was done a while back when I had a Sony minidisc recorder and some very cheap and noisy mics that I still like quite a bit. http://www.core-sound.com/mics/1.php For this recording I attached the mics to some twigs overhanging the edge of the stream where the water formed an eddy, pressed record and waited. Which was quite pleasant given the lovely surroundings. Oh, I made my own windscreens for those little mics as well, pretty much by taping foam onto them - very lo-fi, but even though better is better (and your Sony looks and sounds amazing) even the bad stuff is good now. Particularly for someone like me who started recording in the 70ssramsay wrote:
Thanks! Because of what I was doing, I couldn't use a shotgun mic (or even a lavalier, really), so I used my portable (a Sony PCMD100). That thing amazes me more and more every day. And half the time, I couldn't even check the level properly because, well, it was enclosed in something!
As for your track. The field recordings are stunning. Were you able to leave your equipment alone in the wilderness for a while? I also like the musical progression of the guitar, which is very "respectful" and understated. It's really nice work.
Steve
So enclosures is a recording of a performance then?
- KVRer
- 1 posts since 4 Jun, 2016 from Mannheim
overly dramatic IDM, mostly, and industrial tech stuff, and some experiments
https://soundcloud.com/abreaktor
p.s. nifty sc implementation, neat!
https://soundcloud.com/abreaktor
p.s. nifty sc implementation, neat!
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- KVRer
- 4 posts since 9 Aug, 2016
Thing is…I have no idea how to classify what I've made…so I called it future something
or maybe pop. Or maybe u could help 
https://soundcloud.com/honey-a-96851908 ... a-hangover
https://soundcloud.com/honey-a-96851908 ... a-hangover