haha, oh man... maybe I can enable the ? lol... never in my wildest dreams would I imagine a username "? ? ?" ... that is an awesome name... but surely a painful experience? ? ? wrote:Yeah I attempted that but unfortunately registering my KVR name "? ? ?" seems to not work.ATN69 wrote:In the first page of this thread you find a link to the voting page. If you never voted before you must register with your e-mail address and KVR name, and also choose a password.? ? ? wrote:So I have to create a separate account to vote???
Ah well......such is life.
One Synth Challenge #88: TAL-NoiseMaker (Mac/PC) (z.prime wins!)
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- KVRAF
- Topic Starter
- 2725 posts since 19 Dec, 2010 from North America
One Synth Challenge: https://sites.google.com/site/kvrosc/about
- KVRAF
- 2110 posts since 5 Oct, 2015 from Swedish / Living in Hong Kong
Win 10 -64bit, CPU i7-7700K, 32Gb, Focusrite 2i2, FL-studio 20, Studio One 4, Reason 10
- KVRist
- 223 posts since 15 May, 2016 from Vienna
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marks-a-whybikky marks-a-whybikky https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=156576
- KVRist
- 214 posts since 30 Jul, 2007
voted!
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- KVRian
- 725 posts since 11 Mar, 2014 from Netherlands
sorry guys, if I was allowed, I would give ALL my points to MeaKaale ..
so that's 71 x 5 = ... fetches calculator ... A LOT OF POINTS!
Haven't listened to all tracks now but .. that's track is hard, no I dare to say impossible to beat.
btw Melodrops "Warm Waves" is a thing of pure beauty.
so that's 71 x 5 = ... fetches calculator ... A LOT OF POINTS!
Haven't listened to all tracks now but .. that's track is hard, no I dare to say impossible to beat.
btw Melodrops "Warm Waves" is a thing of pure beauty.
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- DASH Guy
- 8156 posts since 20 Sep, 2001
That's surely interesting rghvdberg because the MeeKaale track for this month is really not in my favourites.
Yeah I feel my musical preferences are on some other side.
Yeah I feel my musical preferences are on some other side.
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- KVRian
- 725 posts since 11 Mar, 2014 from Netherlands
One SYNTH Challenge or One SONG Challenge, that's the question 
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- DASH Guy
- 8156 posts since 20 Sep, 2001
can we really judge objectively on the synth usagerghvdberg wrote:One SYNTH Challenge or One SONG Challenge, that's the question
without a huge bias from the artistic quality of the music strongly relating to our subjective taste and culture? <wink>
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- KVRAF
- 2393 posts since 7 Mar, 2014
A tricky one ... I tend to review the synth and see what sounds I can make with it. Then, work up a few tracks/songs. Depending on genre I then go back and see how I can create JUST the right sounds for the track/song with said synth.rghvdberg wrote:One SYNTH Challenge or One SONG Challenge, that's the question
So for me, it's a bit of both
dB
- KVRian
- 1472 posts since 4 Apr, 2011 from Rio de Janeiro - Brazil
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- DASH Guy
- 8156 posts since 20 Sep, 2001
That's the creative process to make your entry, but I guess rob was referring to the preferences expressed with voting, since I replied with my difference.doctorbob wrote:A tricky one ... I tend to review the synth and see what sounds I can make with it. Then, work up a few tracks/songs. Depending on genre I then go back and see how I can create JUST the right sounds for the track/song with said synth.rghvdberg wrote:One SYNTH Challenge or One SONG Challenge, that's the question
So for me, it's a bit of both
dB
My thought is that the more or less skillful synth usage doesn't weight that much on the outcome of the top five, our subjective musical taste and culture (intended as experience and provenience) weight much more. That shouldn't sound strange, <grin>, to musicians.
- KVRian
- 552 posts since 23 Mar, 2011 from Schwerte, Germany
Voted. Will comment everybody's track if I find the time.
Greetings
Ruedi
Greetings
Ruedi

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- KVRian
- 1158 posts since 6 Jan, 2015 from London, England
Not enough time to finish mine this time. But I voted for you all. I hope it makes a difference for some of you.
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- KVRAF
- 2393 posts since 7 Mar, 2014
Yeah, I understood. But for me the way I approach this as per above does lend some weight to the way I vote as well. I try to be objective, but necessarily, my musical taste does creep into how I vote! Very hard when I find it hard to "understand" the musical genre, although, with my 60 years of musical "appreciation" under my belt (ho ho!) I think I understand most, even if I simply cannot execute that genre.liqih wrote: That's the creative process to make your entry, but I guess rob was referring to the preferences expressed with voting, since I replied with my difference.
My thought is that the more or less skillful synth usage doesn't weight that much on the outcome of the top five, our subjective musical taste and culture (intended as experience and provenience) weight much more. That shouldn't sound strange, <grin>, to musicians.
dB
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- DASH Guy
- 8156 posts since 20 Sep, 2001
Yeah, I appreciate what you say, I'm no so young either,doctorbob wrote:Yeah, I understood. But for me the way I approach this as per above does lend some weight to the way I vote as well. I try to be objective, but necessarily, my musical taste does creep into how I vote! Very hard when I find it hard to "understand" the musical genre, although, with my 60 years of musical "appreciation" under my belt (ho ho!) I think I understand most, even if I simply cannot execute that genre.liqih wrote: That's the creative process to make your entry, but I guess rob was referring to the preferences expressed with voting, since I replied with my difference.
My thought is that the more or less skilful synth usage doesn't weight that much on the outcome of the top five, our subjective musical taste and culture (intended as experience and provenience) weight much more. That shouldn't sound strange, <grin>, to musicians.
dB
but there are even more subtle subjective preferences,
sound timbres that resonate well with our own unique psyche, other sounds which are "rejected",
like smells or colours that can be pleasant or revolting according to our own sensitivity or experiences.
After many years of musical experiences I'm quite convinced that the universality of musical language is still vastly relative. <grin>
