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One last thing worth mentioning: the two modulation knobs for a filter are summed before applying modulation to cutoff. This means if you take the same modulation source (LFO2 for example) and set it to the first knob with +50, then also set it to the second knob with -50 it will not modulate at all.

However, if you modulate the first knob with LFO2 +50 and then use the mod matrix to modulate cutoff with LFO2 by -50 they will not cancel each other out.

This is due to the slight delay in applying indirect (mod matrix) modulation over direct modulation, and can yield interesting results...
Feel free to call me Brian.

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bmrzycki wrote:One last thing worth mentioning: the two modulation knobs for a filter are summed before applying modulation to cutoff. This means if you take the same modulation source (LFO2 for example) and set it to the first knob with +50, then also set it to the second knob with -50 it will not modulate at all.

However, if you modulate the first knob with LFO2 +50 and then use the mod matrix to modulate cutoff with LFO2 by -50 they will not cancel each other out.

This is due to the slight delay in applying indirect (mod matrix) modulation over direct modulation, and can yield interesting results...
Thank!
Live and learn forever!

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bmrzycki wrote:This is due to the slight delay in applying indirect (mod matrix) modulation over direct modulation, and can yield interesting results...
Is this a bug or intended design?

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xx JPRacer xx wrote:
bmrzycki wrote:This is due to the slight delay in applying indirect (mod matrix) modulation over direct modulation, and can yield interesting results...
Is this a bug or intended design?
design limitation...

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bmrzycki wrote:However, if you modulate the first knob with LFO2 +50 and then use the mod matrix to modulate cutoff with LFO2 by -50 they will not cancel each other out.
This is due to the slight delay in applying indirect (mod matrix) modulation over direct modulation, and can yield interesting results...
Interesting (?) detail: A modulation level of +50 in the filter panel would normally be cancelled out by setting -33.33 in the matrix, not -50. Don't ask ;-)

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Howard wrote:Interesting (?) detail: A modulation level of +50 in the filter panel would normally be cancelled out by setting -33.33 in the matrix, not -50. Don't ask ;-)
That is interesting (to me at least). :)

It makes me wonder how you discovered this. I never guessed there'd be a true null point between direct and indirect modulation.
Feel free to call me Brian.

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Tell me if this wiring diagram oscillators simply add? That there is no FM?
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atmelcool wrote:Tell me if this wiring diagram oscillators simply add? That there is no FM?
Use the FMO module for FM sounds.
Feel free to call me Brian.

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Why change the waveform with a saw on the square? Can detail how exactly does this option? Thank you!
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The video is private.

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sorry about that

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Hello! Do I understand correctly modes device delay? I also do not understand what they are doing Ratio knob Thank you!
Last edited by atmelcool on Sun Mar 12, 2017 2:12 pm, edited 1 time in total.
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Read the manual, Ratio knob is explained.

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EvilDragon wrote:Read the manual, Ratio knob is explained.
It is written there
The Ratio knob scales this from 0% (4 samples long) to 200%. Pan is of course the stereo position of each delay line

I can not understand because of the bad translation from English What is the 4 sample?

a drawing routing I did the right thing? Thank you


p/s I just want to turn the synth settings consciously rather than blindly not knowing what I'm doing ...
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atmelcool wrote:"The Ratio knob scales this from 0% (4 samples long) to 200%. Pan is of course the stereo position of each delay line"
I can not understand because of the bad translation from English What is the 4 sample?
It means that the minimum delay is extremely short (only 4 samples). You can safely ignore this detail!

Delay.png looks correct (but I'm not 100% sure whether e.g. Dubby has some cross-feed in it)

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