EDIT: Doh, never mind. I just found the setting.
Repro-1 (out now)
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- Banned
- 410 posts since 5 Feb, 2012
This was probably mentioned earlier, but are there plans to make the Repro-1 interface resizable as is the case with Diva and other u-he plugins?
EDIT: Doh, never mind. I just found the setting.
EDIT: Doh, never mind. I just found the setting.
Matrix-1000, MicroWave with Access programmer, MicroWave II, MKS-50 with MidiClub programmer, MKS-70, MKS-80 with Kiwi Patch Editor, Nord 2 Rack, Nord 3 Rack, Prophet REV2 module, Pulse 2, Shruthi, Virus TI
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- KVRAF
- 16735 posts since 13 Oct, 2009
Got it. I don't really need the workaround, I just wanted more modulatorsFunkybot's Evil Twin wrote:There's a workaround. Turn on Sonic Conditioner, and use the Gain as a modulation destination. It's good for compensating the resonance and simulating Vel to Amp. For instance, to compensate resonance:ghettosynth wrote:Now I understand why people were asking for the master output as a modulation destination.
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Funkybot's Evil Twin Funkybot's Evil Twin https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=116627
- KVRAF
- 12447 posts since 16 Aug, 2006
4 slots would be great, once or twice I wanted a third, but overall, I'm happy with just the two.ghettosynth wrote:Got it. I don't really need the workaround, I just wanted more modulatorsFunkybot's Evil Twin wrote:There's a workaround. Turn on Sonic Conditioner, and use the Gain as a modulation destination. It's good for compensating the resonance and simulating Vel to Amp. For instance, to compensate resonance:ghettosynth wrote:Now I understand why people were asking for the master output as a modulation destination.
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- KVRAF
- 16735 posts since 13 Oct, 2009
Yeah, I still would like to see the sequencer pitch/vel outputs as modulation sources. By itself that wouldn't require any U/I changes. It would be better if you could tweak the two sequencers to run in parallel, but ultimately, still useful.Funkybot's Evil Twin wrote:4 slots would be great, once or twice I wanted a third, but overall, I'm happy with just the two.ghettosynth wrote:Got it. I don't really need the workaround, I just wanted more modulatorsFunkybot's Evil Twin wrote:There's a workaround. Turn on Sonic Conditioner, and use the Gain as a modulation destination. It's good for compensating the resonance and simulating Vel to Amp. For instance, to compensate resonance:ghettosynth wrote:Now I understand why people were asking for the master output as a modulation destination.
- KVRAF
- 26952 posts since 3 Feb, 2005 from in the wilds
Since it is a mono synth, host modulation is working great... I just add a modulator and modulate any parameters I want.ghettosynth wrote:Got it. I don't really need the workaround, I just wanted more modulatorsFunkybot's Evil Twin wrote:There's a workaround. Turn on Sonic Conditioner, and use the Gain as a modulation destination. It's good for compensating the resonance and simulating Vel to Amp. For instance, to compensate resonance:ghettosynth wrote:Now I understand why people were asking for the master output as a modulation destination.
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- KVRAF
- 16735 posts since 13 Oct, 2009
Sure, I should complain less, but, still, that doesn't get saved with patches which has more value to me than I once thought that it did. In any case, this machine is a lot of fun.pdxindy wrote:Since it is a mono synth, host modulation is working great... I just add a modulator and modulate any parameters I want.ghettosynth wrote:Got it. I don't really need the workaround, I just wanted more modulatorsFunkybot's Evil Twin wrote:There's a workaround. Turn on Sonic Conditioner, and use the Gain as a modulation destination. It's good for compensating the resonance and simulating Vel to Amp. For instance, to compensate resonance:ghettosynth wrote:Now I understand why people were asking for the master output as a modulation destination.
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tasmaniandevil tasmaniandevil https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=62450
- KVRAF
- 2171 posts since 22 Mar, 2005 from a planet called u-he
The sequencer velocity output is already available as modulation source. When the sequencer runs, the 'Velocity' mod source uses the sequencer velocity values.ghettosynth wrote:Yeah, I still would like to see the sequencer pitch/vel outputs as modulation sources.
That QA guy from planet u-he.
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- KVRAF
- 5573 posts since 30 May, 2006 from Hollow Earth
Using a MUX would allow to save your modulation as a preset, MUX preset, rather than just being a project only preset.pdxindy wrote:Since it is a mono synth, host modulation is working great... I just add a modulator and modulate any parameters I want.ghettosynth wrote:Got it. I don't really need the workaround, I just wanted more modulatorsFunkybot's Evil Twin wrote:There's a workaround. Turn on Sonic Conditioner, and use the Gain as a modulation destination. It's good for compensating the resonance and simulating Vel to Amp. For instance, to compensate resonance:ghettosynth wrote:Now I understand why people were asking for the master output as a modulation destination.
ABEFLGMOPPRRST 
- KVRAF
- 26952 posts since 3 Feb, 2005 from in the wilds
These days, I'm using Bitwig, so it is easy to save any device presets I want... which allows all sorts of complex device chains.ghettosynth wrote:Sure, I should complain less, but, still, that doesn't get saved with patches which has more value to me than I once thought that it did. In any case, this machine is a lot of fun.pdxindy wrote:Since it is a mono synth, host modulation is working great... I just add a modulator and modulate any parameters I want.ghettosynth wrote:Got it. I don't really need the workaround, I just wanted more modulatorsFunkybot's Evil Twin wrote:There's a workaround. Turn on Sonic Conditioner, and use the Gain as a modulation destination. It's good for compensating the resonance and simulating Vel to Amp. For instance, to compensate resonance:ghettosynth wrote:Now I understand why people were asking for the master output as a modulation destination.
but yes, saving in the synth is a bit more convenient and cross host compatible...
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- KVRAF
- 16735 posts since 13 Oct, 2009
You know, that makes perfect sense, I should have tried it.tasmaniandevil wrote:The sequencer velocity output is already available as modulation source. When the sequencer runs, the 'Velocity' mod source uses the sequencer velocity values.ghettosynth wrote:Yeah, I still would like to see the sequencer pitch/vel outputs as modulation sources.
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
As you could assign all 3 mod sources to all 5 destinations (while using both direct or mod wheel modulation) your picture does not really seem to represent how the mod section works. For example you could route both Osc B to Osc A+B pitch, Osc A+B pulse width and the filter at the same time which makes it possible to use audio rate modulation for all those.Lixma wrote:GUI suggestion as the mod section looks a bit messy/awkward.
Your picture looks like only certain sources and destination will work together.
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
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- KVRist
- 484 posts since 5 Jan, 2004 from In the now
I'd like the gui to be more on the black and white side rather than beige and brown. More like the original.
"If less is more, just think of how much more, more will be".
- KVRist
- 140 posts since 27 Jul, 2015
Yes, that's exactly what confused me at first in the GUI, even though they are not perfectly aligned, the sources and destinations still feel grouped together. IMHO something like this would have been clearer for me:Ingonator wrote:As you could assign all 3 mod sources to all 5 destinations (while using both direct or mod wheel modulation) your picture does not really seem to represent how the mod section works. For example you could route both Osc B to Osc A+B pitch, Osc A+B pulse width and the filter at the same time which makes it possible to use audio rate modulation for all those.
Your picture looks like only certain sources and destination will work together.
Or even better, replacing a switch with a second knob (not only for the added possibilities, but also because it clearly separates interaction with sources and interaction with destinations):
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