That's good. But it's not just the darkness, it's the layout too. The closeness of things, the two colour scheme and the darkness, all 3 combine to make it not the most pleasant gui.GeorgeZ wrote:As noted in my post a few pages back, Rob is aware of the UI darkness issue. There's more to the problem than meets the eye (I'm not at liberty to discuss). Just know that he knows, and if at all possible, it'll get looked at again.
It needs a "from the ground up" rethink, basically. The synth feels much more capable and as a serious work machine, than what the gui represents of it. In other words, the gui is not doing the sound aspect of the synth, justice. That's all.
A few other synths have suffered the same fate, and those that did not address it, basically lost out on sales and on actually being known and appreciated for what they can do sound-wise, by the wider public. If you've invested majorly in the sound, but not the gui, that investment, in many cases has not paid off (or as much as it could have) for those who did not address that other half of the synth: its looks.

