Simon, it's unfortunate that Avenger is focusing mostly on EDM sounds. I can assure you that because if the architecture, very similar in many respects to Falcon, there's nothing you can't get out of this outside of granular synthesis, which it doesn't yet have.Sampleconstruct wrote:I bother because I'm highly allergic against these kind of stereotype sounds and it's driving me away from Avenger although it could be a nice instrument in my arsenal. And because I'm in discussion mode today.chk071 wrote:Well, if you take a look at what Vengeance-Sound's preferred market is, and how many products they did for that market, then it does make sense. And considering that literally any synth developer out there, apart from a few, also server that market, at least with the way they present their synths, it makes even more sense. But, regardless of that, this synth will be good for ANY musical genre, and i think you do know that anyway, so why even bother?Sampleconstruct wrote:I wonder why such a strictly EDM-targeted marketing/presentation is necessary for Avenger. I mean there is a lot of money to earn by directing the marketing at composers and musicians also from other genres, no?
But with the ability to import any wavetable in compatible format (so far I've noticed Serum format works fine) the engine itself should be able to produce a huge variety of sounds. The mod matrix is so open ended (appears any parameter can be modulated) that it's only going to be your imagination that limits the sounds you can make with it.
But business is business and I guess you have to cater to the market, demo wise anyway, that is going to make up most of your sales. Why do you think Spectrasonics included all that EDM stuff in Omni 2? They realized that they were probably missing a good segment of their potential market in not doing that.
Ultimately, it's all about making money. If companies don't make money, we don't get these great instruments. Trust me. Avenger is up there with the best of them.

