Actually, I think even this process is automated now. I went through this during the launch of Cubase Pro 9, and I didn't have to e-mail anyone. Just follow the proper link to the grace period sub-site (which was displayed somewhere, I think it was in "My Steinberg") and everything was done automatically.PAK wrote: The only potential inconvenience activating during a "grace period" can cause is, if you activate before they make the change over on the elicenser servers, it will not auto-upgrade the HALion license.
Steinberg HALion 6 & HALion Sonic 3
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- KVRAF
- 11162 posts since 16 Mar, 2003 from Porto - Portugal
Fernando (FMR)
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- KVRAF
- 1767 posts since 20 Feb, 2003
Good to knowfmr wrote:Actually, I think even this process is automated now. I went through this during the launch of Cubase Pro 9, and I didn't have to e-mail anyone. Just follow the proper link to the grace period sub-site (which was displayed somewhere, I think it was in "My Steinberg") and everything was done automatically.
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- KVRian
- 540 posts since 8 Jul, 2015 from Canada
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- KVRian
- 540 posts since 8 Jul, 2015 from Canada
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286 - KVRAF
- 16733 posts since 12 Oct, 2008 from Here and there
Usable everywhere and standalone too.shonoob wrote:Is HALion exclusive to Cubase, or is it usable on other DAWs?
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- KVRian
- 540 posts since 8 Jul, 2015 from Canada
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- KVRist
- 342 posts since 8 Jul, 2004
I don't see a crossgrade for Omnisphere or Komplete. Is there a special link?wagtunes wrote:I suppose then I have to supply them with my Omnisphere or Komplete serial number or some proof of purchase?EvilDragon wrote:Yeah.
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"I guess one person can make a difference, but most of the time they probably shouldn't." -M. Simpson
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- KVRist
- 342 posts since 8 Jul, 2004
Never mind... Found it. (duh)Unfocused wrote:I don't see a crossgrade for Omnisphere or Komplete. Is there a special link?wagtunes wrote:I suppose then I have to supply them with my Omnisphere or Komplete serial number or some proof of purchase?EvilDragon wrote:Yeah.
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"I guess one person can make a difference, but most of the time they probably shouldn't." -M. Simpson
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Echoes in the Attic Echoes in the Attic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=180417
- KVRAF
- 12004 posts since 12 May, 2008
Can anyone tell me if Halion has per voice effects like Falcon? So for example overdrive/distortion that is per voice? It would assume the filters can be, but wondering what other effects can be per voice. Thanks.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- 16733 posts since 12 Oct, 2008 from Here and there
Per-voice distortion effects via the filter module can be achieved, but other than that, no FX per voice.Echoes in the Attic wrote:Can anyone tell me if Halion has per voice effects like Falcon? So for example overdrive/distortion that is per voice? It would assume the filters can be, but wondering what other effects can be per voice. Thanks.
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Echoes in the Attic Echoes in the Attic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=180417
- KVRAF
- 12004 posts since 12 May, 2008
Thanks. Too bad there aren't others but I guess filtering and distortion are the main ones you'd want for polyphony.Sampleconstruct wrote:Per-voice distortion effects via the filter module can be achieved, but other than that, no FX per voice.Echoes in the Attic wrote:Can anyone tell me if Halion has per voice effects like Falcon? So for example overdrive/distortion that is per voice? It would assume the filters can be, but wondering what other effects can be per voice. Thanks.
Are there many distortion modes or are we just talking a little filter overdrive?
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- KVRAF
- 3506 posts since 12 May, 2011
Sorry, but can you explain "per voice fx" for simpleton dullard pensioners like me?Sampleconstruct wrote:Per-voice distortion effects via the filter module can be achieved, but other than that, no FX per voice.Echoes in the Attic wrote:Can anyone tell me if Halion has per voice effects like Falcon? So for example overdrive/distortion that is per voice? It would assume the filters can be, but wondering what other effects can be per voice. Thanks.
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Echoes in the Attic Echoes in the Attic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=180417
- KVRAF
- 12004 posts since 12 May, 2008
It's an effect where each voice is processed separately, rather than the signal of all voices going through the effect together. Like each string of a guitar processed independently rather than all six together. So it means that modulation can be applied per voice (or per key press). The classic example is a filter with an envelope on the cut off. If you press one key and there is an envelope that goes from open to closed for a darker sound over time, and then after the filter has closed somewhat, you played a second key while holding the first, the envelope is triggered again for the second voice and lowers the filter cutoff independently of the first, which remains with it's own filter cutoff value due to being at it's own stage of the envelope. So if you didn't have the filter per voice, you wouldn't be able to do that. Applying an envelope to a filter that was not per voice woudl mean that each time the envelope was triggered it would change the overall cutoff for all keys. One key could not stay with a lower cutoff as the other was initially brighter.Googly Smythe wrote:Sorry, but can you explain "per voice fx" for simpleton dullard pensioners like me?Sampleconstruct wrote:Per-voice distortion effects via the filter module can be achieved, but other than that, no FX per voice.Echoes in the Attic wrote:Can anyone tell me if Halion has per voice effects like Falcon? So for example overdrive/distortion that is per voice? It would assume the filters can be, but wondering what other effects can be per voice. Thanks.
Hope that helps! When fx are per voice it opens up way more possibilities for sound design.
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- KVRAF
- 3506 posts since 12 May, 2011
Gotcha, many thanks!Echoes in the Attic wrote:It's an effect where each voice is processed separately, rather than the signal of all voices going through the effect together. Like each string of a guitar processed independently rather than all six together. So it means that modulation can be applied per voice (or per key press). The classic example is a filter with an envelope on the cut off. If you press one key and there is an envelope that goes from open to closed for a darker sound over time, and then after the filter has closed somewhat, you played a second key while holding the first, the envelope is triggered again for the second voice and lowers the filter cutoff independently of the first, which remains with it's own filter cutoff value due to being at it's own stage of the envelope. So if you didn't have the filter per voice, you wouldn't be able to do that. Applying an envelope to a filter that was not per voice woudl mean that each time the envelope was triggered it would change the overall cutoff for all keys. One key could not stay with a lower cutoff as the other was initially brighter.Googly Smythe wrote:Sorry, but can you explain "per voice fx" for simpleton dullard pensioners like me?Sampleconstruct wrote:Per-voice distortion effects via the filter module can be achieved, but other than that, no FX per voice.Echoes in the Attic wrote:Can anyone tell me if Halion has per voice effects like Falcon? So for example overdrive/distortion that is per voice? It would assume the filters can be, but wondering what other effects can be per voice. Thanks.
Hope that helps! When fx are per voice it opens up way more possibilities for sound design.