( viewtopic.php?f=31&t=473948&p=6687811&h ... e#p6686999 )tasmaniandevil wrote:Thanks for reporting, will add that to our list of things to fix.mcbpete wrote:Noticed a bug, though not sure if it's the host (Ableton 9.7.1 64bit Windows) or the VST itself.
Just made a track using the preset HS Rotofuzz 7+9 (Under the section ' 07 Seq - Melodic ') with my host set at 44.1Khz. However when I exported/rendered the project at 88.2Khz (I tend to resample stuff in post so it gives me extra frequency headroom if I ever slow stuff by half etc.) I noticed that the arpeggiator ran at double the clock speed from when I was hearing it in real time. Sure enough when I re-rendered the project at 44.1Khz it was playing at the same (correct) speed as with what I was hearing in realtime.
So is the 'Clock Speed' somehow getting its timing from Sample Rate ? Anyone else able to reproduce this ?
Looks like in some hosts this can happen. Was able to reproduce it in Reaper. But it didn't happen when I tried it in Cubase.![]()
As a workaround (until we can fix this), you could temporarily change the sample rate of the Ableton project to the desired rate and then export it. This way the arp or sequencer in Repro will run at the correct speed.
Repro-1 (out now)
-
- KVRAF
- 2313 posts since 24 Jun, 2006 from London, England
Ah sorry it was 'Clock Speed' not 'LFO' - Think Tasmaniandevil on your team might've seen it back in January:
- u-he
- Topic Starter
- 30186 posts since 8 Aug, 2002 from Berlin
-
david.beholder david.beholder https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=159839
- KVRAF
- 1914 posts since 13 Sep, 2007
Aren't he using CMI II which was produced after Don't Go got released?egbert101 wrote:A little interesting fact: Vince Clarke (from Yazoo) created that track using samples in the Fairlight Sampler. So to get even closer, you'll have to find a Fairlight emulator and use Repro-1 samples run through it to get that crunchy 8-bit/12-bit sound.
Murderous duck!
-
david.beholder david.beholder https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=159839
- KVRAF
- 1914 posts since 13 Sep, 2007
I don't think VC is lyingegbert101 wrote:Well the CMI II came out the same year Don't Go was released, so unless Vince Clarke is lying (which I doubt).david.beholder wrote:Aren't he using CMI II which was produced after Don't Go got released?
Btw, what is the source? I've searched some but they all 1984-1985.
Murderous duck!
-
david.beholder david.beholder https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=159839
- KVRAF
- 1914 posts since 13 Sep, 2007
Watched it thru, good doc, thanks.egbert101 wrote:Nice little Documentary about Yazoo here. Sorry don't know the exact position in the video he talks about it. It's only 37 minutes.Btw, what is the source? I've searched some but they all 1984-1985.
EDIT: @ 13:37 onwards.
They are talking about VC obtaining Fairlight, limited playing abilities and broken chords. But nothing like we've sampled Pro1 into Fairlight =)
Murderous duck!
-
david.beholder david.beholder https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=159839
- KVRAF
- 1914 posts since 13 Sep, 2007
More on subject
Murderous duck!
-
- KVRAF
- 4067 posts since 22 Aug, 2012
Exactly.david.beholder wrote:They are talking about VC obtaining Fairlight, limited playing abilities and broken chords. But nothing like we've sampled Pro1 into Fairlight =)
He may have used Fairlight for some odd sounds in Upstairs at Eric's—in the video you see him playing the Fairlight keyboard for what sounds like sample in "Goodbye 70s"—but synth sounds will still be analogue to tape.
