All the best Fabien, Vlad, Other members of the team and to all as always
Dean
And this is why you should NOT use -0.2dBFS.mutantdog wrote:Barricade 4 does a pretty good job at True Peak limiting but it does let the odd few through, usually very short high percussive sounds. L6GE seems to do a better job if you use the limiter module in brickwall mode (not multiband) in the last place before the output limiter. Still though it lets a few ISPs through. It seems to me that the only way to really ensure true peak limiting in any case is to set the output threshold down by maybe 0.2dB or so.
Sure, because this material usually isn't squashed to sh*t, but uses a reasonable loudness.mutantdog wrote:Personally i try not to get too concerned by the odd one here and there. As someone else posted in another thread, plenty of classic albums have been released without true peak limiting and they sound fine.
No!mutantdog wrote:My knowledge of this is very limited, but as far as i'm aware the standards for TV is based around EBU-R -18 (?) with an integrated loudness at around 0 (-18LUFS). With your restrictions, that still gives a headroom of 15dB for peaks, surely it's not a problem to pull down the output limiter an extra dB just to be sure. Please, by all means correct me on this if i'm completely misunderstanding it.
Youlean Loudness Meter is reliable. Though each True Peak meter out there does "their own thing" - so keep that in mind.mutantdog wrote:I've only tried L6GE briefly but the loudest ISP spike I've detected using the limiter module last in brickwall mode with output set to -0.1dB (extreme mode) was a single incident (in a 50 minute album) of +0.1dB, at a particularly loud and dense part, so i'd say it does a pretty decent job really (I'm using Youlean for analysis, i don't know how reliable it is).
If you engage ISP Fast or Precise with the old freeware, or True Peak in the Output Module of the GE version, and set a reasonable(!) ceiling, then the ISP limiting offset (depending on the incoming "loudness") is about 0,1dB.Eleventh wrote:Hmm are you saying that Lim6 is letting IS peaks through, if you engage lookahead in the peak limiter? And if that fails (?) then then "true peak" option in the output section? sounds like a bug to me if that's actually what's happening.
I'm not sure that reporting my own personal observations qualifies as "misinformation" but whatever, i'll take the bait.Compyfox wrote:A lot of misinformation yet again....
Clearly a statement of personal opinion from me, note the lack of certainty i express at the end, suggesting that you may wish to be cautious than I.Compyfox wrote:And this is why you should NOT use -0.2dBFS.mutantdog wrote:It seems to me that the only way to really ensure true peak limiting in any case is to set the output threshold down by maybe 0.2dB or so.
Meanwhile the loudness war still rages on and some of us are looking for a reasonable compromise between preserving dynamics and excessive limiting.Compyfox wrote:ISP can reach higher than 1dB in worst case scenarios, but usually we talk within 1dB. There is a reason why ISP limiting is recommened to do with -1dBTP as headroom bar minimum. Even BEFORE the ITU-R measurement craze kicked in.
Which is exactly why i don't mind the odd one here and there, I'm more concerned with the overall picture as it were. (Besides, there are good albums that have been squashed to shit too, doesn't mean they ain't still good)Compyfox wrote:Sure, because this material usually isn't squashed to sh*t, but uses a reasonable loudness.mutantdog wrote:Personally i try not to get too concerned by the odd one here and there. As someone else posted in another thread, plenty of classic albums have been released without true peak limiting and they sound fine.
Thank you for this clarification.Compyfox wrote:No!mutantdog wrote:Please, by all means correct me on this if i'm completely misunderstanding it.
The specs of EBU R-128 are Integrated Loudness (ILk in short) of -23LUFS, maximum True Peak of -1dBTP.
USA with ATSC A/85 goes for ILk of -24LUFS and maximum True Peak of -1dBTP or even -2dBTP
Streaming services currently aim for -16LUFS.
The French Radio Broadcast Union does shoot (to my knowledge) for -23LUFS ILk and -2dBTP. At least this is what I've understood at AES#142 (Berlin) (the panels were long!).
Hey, like i said it was a quick test run through. I haven't even bought it yet, i'm just exploring the demo. But given that -0.1dB ceiling apparently only caused one true peak spike above 0dB i'd say it was a pretty good choice for that particular occasion. That may not always be the case though, indeed rendering it with dithering may be a factor that requires reassessment.Compyfox wrote:The devil is in the details still. It depends on the loudness on the input, how many modules you used with this Limiter (heck, even the free version!). A ceiling of -0,1dB is just too low!
Lurk away!Compyfox wrote: With that said - I'm back to lurking.

Thanks for this. As Always Dan explains things really well.
Awesome as always, this would have made me buy the plugin if I didn't already own it.
+1.jon wrote:Even I've tried the demo, I didn't realize how deep and powerful this plugin is before watching the video
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