KVR Audio

paterpeter · Post by **paterpeter** » Sat Nov 04, 2017 11:05 am

Does anybody know if the upgrade preorder (9 suite to 10 suite) will be available from retailers (JRR Shop, Audiodeluxe etc)? Or is it exclusively available from Ableton directly?

nasenbluten · Post by **nasenbluten** » Sat Nov 04, 2017 12:47 pm

mcbpete wrote:
nasenbluten wrote:Anyone knows if mousewheel zooming is really implemented? I can't find anyone talking about it.
FFWD to 2h51m35s here:

Thank you!

Kinh · Post by **Kinh** » Sat Nov 04, 2017 1:50 pm

Multi clip editing. I get it that they actually mean multi note editing but i wonder if that includes automation. Thats the one thing i thought live was lacking. I think bitwig can do it thats why i thought they'd make it priority. Automating several tracks together would be pretty eff'n useful, shit especially with the newer genres like future bass.

xbitz · Post by **xbitz** » Sat Nov 04, 2017 2:20 pm

Kinh wrote:Multi clip editing. I get it that they actually mean multi note editing but i wonder if that includes automation. Thats the one thing i thought live was lacking. I think bitwig can do it thats why i thought they'd make it priority. Automating several tracks together would be pretty eff'n useful, shit especially with the newer genres like future bass.

cross track/device mapping was always possible in Live/M4L(and with MAX integration it's finally superfast), multi-clip auto/modulation editing as I see not possible can edit just the notes

chroma · Post by **chroma** » Sun Nov 05, 2017 8:35 pm

andy-cytomic wrote:Pedal is written for Live customers that insist upon very low cpu overheads, so the detail in the modelling is limited deliberately to keep the cpu down.
....
The Scream is completely different beast, it is one of the most detailed analog models on the planet, where you can customise the value of every component.
...
The two devices will complement each other nicely, but Cytomic did not help in the writing of Pedal. When you want some basic drive that is a major step up from anything else previously available from a stock Live device then grab pedal. If you want the most detailed stomp box emulation on the planet that sounds identical to much prized and expensive analog units then use The Scream.

Thanks for the info Andy! It is great to have both options.... the scream is awesome, but the high detail is not always necessary, and having a low-CPU one that still sounds good is great!

andy-cytomic · Post by **andy-cytomic** » Mon Nov 06, 2017 1:03 am

chroma wrote: Thanks for the info Andy! It is great to have both options.... the scream is awesome, but the high detail is not always necessary, and having a low-CPU one that still sounds good is great!

You're welcome! I will add a lower CPU mode to The Scream, which will still have more detail that Live's Pedal OD mode, but I will hopefully be able to get the CPU down to just over what Pedal's is.

superscan · Post by **superscan** » Thu Nov 09, 2017 3:32 am

superscan wrote:
5Lives wrote:
superscan wrote:Control Surfaces are now available when Live runs as a ReWire slave. This applies to both Push 1 and 2 as well.

This could be awesome! I have other DAWs that are much better for multi-track recording, editing, and mixing but Live and Push 2 is a creative beast. If I can incorporate them all, that’s the dream world (and a way better “Maschine”).
Agreed, I'm really looking forward to this for the exact same reason.

Got on the Beta, and confirmed tonight that Push works as expected with Ableton in ReWire mode! Now your limited to Abletons instruments etc., but that’s always been the case.

Live 10 officially announced