Not really....try again....braj wrote:You, whatever to your snide "It's all about commercial" too, you were minimizing U-he's success, all while being wrongCinebient wrote:Whatever....braj wrote:But there is no baseline for comparison, it is not like it is a Moog Modular emulation and you can A/B it at all. And again, your point about it not being commercial gets aCinebient wrote:It emulates a modular system which exist in hardware plus some extras.braj wrote:P900 is also commercial, and it does not emulate any particular synth.Cinebient wrote:They missed some independent genius emulations like P900.
It‘s all about commercial.
But Repro of course deserve it too.
However, it sounds awesome, like Repro does.
Congratulations to all at U-He, you won...
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- KVRAF
- 5201 posts since 16 Nov, 2014
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- KVRian
- 547 posts since 7 Mar, 2011
You mean this?:fourthmanfire wrote:Most excellent.dlarseninclusive wrote:Woot!
Especially the part about "not pandering" by including a poly version
"Urs Heckmann and team refusing to pander to modernity with the addition of a polyphonic option"
So, what about further into the article:
"Polishing and mangling is done with a board of five stompbox-style effects"... lol
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- KVRAF
- 9527 posts since 6 Oct, 2004
There's more to being 'commercial' than charging money,Cinebient wrote:They missed some independent genius emulations like P900.
It‘s all about commercial.
But Repro of course deserve it too.
buying ads, and doing PR work. The impact of any certain product
or product lineup in it's market, is determined by more than
just it's price, or even the lack of price.
There is plenty of independant genious in the world.
If they want to be noticed, and are not, then their routines that allowed
them to be missed, need some adjustments, and likely more
well targeted man-hours. Also, some developers just aren't
the outgoing gregarious party animals that the U-he team are.
Cheers
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aaron aardvark aaron aardvark https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=248508
- KVRAF
- 3074 posts since 22 Jan, 2011 from near Los Angeles
A bit off topic, but as long as we are congratulating: this was in the Los Angeles Times newspaper on December 7th, speculating who might win an Oscar in the near future, regarding Hans Zimmer:
"With 'Dunkirk', Nolan wrote the film as a fusion of music, sound effects and images, all working together to ratchet up the tension as the movie's three story lines converge. Zimmer was integral to the process. Remember the sound of the ticking clock in the movie? Maybe you're hearing it now as it counts down the seconds until Zimmer wins his second Oscar."
"With 'Dunkirk', Nolan wrote the film as a fusion of music, sound effects and images, all working together to ratchet up the tension as the movie's three story lines converge. Zimmer was integral to the process. Remember the sound of the ticking clock in the movie? Maybe you're hearing it now as it counts down the seconds until Zimmer wins his second Oscar."
You can hear my original music at this link: https://www.soundclick.com/artist/defau ... dID=224436
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- KVRAF
- 4197 posts since 23 May, 2004 from Bad Vilbel, Germany
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- u-he
- 30219 posts since 8 Aug, 2002 from Berlin
Pity Hans and Ben only ever said it was "a sample recreated in a synthesizer", but never mentioned which synth it was...Howard wrote:I created that sound. Sorry!
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- KVRAF
- 4197 posts since 23 May, 2004 from Bad Vilbel, Germany
Hint: Not an Akai Timber WolfUrs wrote:Pity Hans and Ben only ever said it was "a sample recreated in a synthesizer", but never mentioned which synth it was...Howard wrote:I created that sound. Sorry!
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aaron aardvark aaron aardvark https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=248508
- KVRAF
- 3074 posts since 22 Jan, 2011 from near Los Angeles
I know, that's why I mentioned it.Howard wrote:I created that sound. Sorry!
You can hear my original music at this link: https://www.soundclick.com/artist/defau ... dID=224436