Hello, I'm new to Tracktion having used trackers like Renoise for years. I want to loop a clip where each loop plays through to the end, even though the loop point is much earlier than the end of the clip. This is so guitar parts I'm recording end with a long sustained note can be easily looped without sounding weird and choppy then they loop around.
In Renoise I can do this by setting a sample's retrigger attribute to 'continue', and then just put more of them in my pattern. Is something like this possible in T7 or do I need to start chopping up the clip into different parts and arranging them somehow?
Thanks.
How do I fade out a clip when looping in T7
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- KVRist
- 320 posts since 9 Sep, 2017
overlapping clips do play AFAIK. if copying is ok in the particular workflow.
if it is MIDI, I don't know the answer, but would like to point out that c-lab notator had an ideal structure and user interface for that kind of issue. also we could define, that e.g. after 4 repeats of a pattern (which held many MIDI tracks but had a start and an end time) something different should happen with the very same pattern, e.g. we leave it one bar earlier and replace THAT with the next pattern. or we could enter the pattern something like 1/8 note earlier if it is the first time, where some syncope has been stored for that purpose, so that's a lead-in which plays only once. quite useful when we move around patterns a lot. a pattern can start and end anywhere in the beat, but knows, where the "1" is.
if it is MIDI, I don't know the answer, but would like to point out that c-lab notator had an ideal structure and user interface for that kind of issue. also we could define, that e.g. after 4 repeats of a pattern (which held many MIDI tracks but had a start and an end time) something different should happen with the very same pattern, e.g. we leave it one bar earlier and replace THAT with the next pattern. or we could enter the pattern something like 1/8 note earlier if it is the first time, where some syncope has been stored for that purpose, so that's a lead-in which plays only once. quite useful when we move around patterns a lot. a pattern can start and end anywhere in the beat, but knows, where the "1" is.
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- KVRAF
- 2461 posts since 9 Oct, 2008 from UK
How about rendering the tracks at some stage and then adding the fade last thing before your final mix? I can see it might not fit with what you're aiming for.
[W10-64, T5/6/7/W8/9/10/11/12/13, 32(to W8)&64 all, Spike],[W7-32, T5/6/7/W8, Gina16] everything underused.
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- KVRian
- 524 posts since 16 Mar, 2017
Almost seems like you could render the clip down to a waveform that could be loaded as a sample into a poly synth then the natural decay of a volume envelope could serve to fade the sample after its release?