ColorCopy saturation knob

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Does anybody find that this knob makes a hearable difference? I see in measurement that it adds distortion, but it's very difficult to hear at all in music signals. I played also with higher input of course.

I would like to have more range that it actually does something to the signal that matters.

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midi_transmission wrote: Sun Mar 03, 2019 6:24 pm Does anybody find that this knob makes a hearable difference? I see in measurement that it adds distortion, but it's very difficult to hear at all in music signals. I played also with higher input of course.

I would like to have more range that it actually does something to the signal that matters.
i no longer have it installed , but i seem to recall , from the public beta ,
that the saturation works in conjunction w/ the input gain ...
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Yes it does. As said before I tried it also with higher iinput gain. 8)

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midi_transmission wrote: Sun Mar 03, 2019 9:16 pm Yes it does. As said before I tried it also with higher iinput gain. 8)
so you did ...
:dog:
i really need to read more carefully , before i speak ...
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No problem. :-)

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Also don't forget that it's a delay, so tonal changes will reveal themselves over time with longer tails. You'll find that once you let the delay breathe a little and give it time, the variations between the colours or between no saturation and lots of saturation will become very clear.

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The unshushable Coktor wrote: Sun Mar 03, 2019 9:42 pm Also don't forget that it's a delay, so tonal changes will reveal themselves over time with longer tails. You'll find that once you let the delay breathe a little and give it time, the variations between the colours or between no saturation and lots of saturation will become very clear.
Ah that's possible. Good hint. I indeed used mostly very short delay times on dense material most of the time. A bit more extreme setting would be cool nevertheless. :-)

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The unshushable Coktor wrote: Sun Mar 03, 2019 9:42 pm Also don't forget that it's a delay, so tonal changes will reveal themselves over time with longer tails. You'll find that once you let the delay breathe a little and give it time, the variations between the colours or between no saturation and lots of saturation will become very clear.
This!
This is one of my favorite aspects of Colour Copy. Let the tails ring! The degradation can get extreme...and that's a good thing to me :) I particularly like to use it with piano sounds to provide contrast between the original piano notes and the degrading repeats.

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The unshushable Coktor wrote: Sun Mar 03, 2019 9:42 pm Also don't forget that it's a delay, so tonal changes will reveal themselves over time with longer tails. You'll find that once you let the delay breathe a little and give it time, the variations between the colours or between no saturation and lots of saturation will become very clear.
After using it like this it works quite nice. I missunderstood what saturation does on ColorCopy. It is just in the feedback path. The used color also makes a big difference how the distortion sounds.

My wish to have a bit more extreme knob settings to get faster to high saturation remains. But now I think of it more as a nice to have than an essential wish.

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