Video on advanced modulation in MSF

[Chandlerhimself]

I made another video and this time its on using modulation in MSF. I tried to show how to combine different types of per-voice mods and some of the not so obvious ways to use them. The modulation system is really deep and I couldn't even cover everything in this 20 min video, but I hope I showed some new things you haven't seen before. Thanks for the request and if there is something else you'd like a video on let me know.

[David]

Wonderful, thank you.

Just to be clear, in your explanation of Per-Voice modulation at the beginning, your example of how each chord note could be pitch-modded differently by the same modulator, you were thinking of applying key tracking to it as you showed at the end for LFO rate, right?

I ask because until I got to the end, I'd been wondering if you meant that you could somehow apply a transformation or something else to each additional voice that was added, to ensure that the shift difference was the same no matter what the key was of the next added voice…which I guess wouldn't be possible, right?

Using key tracking for pitch shifts, then… Is there a way to quantize the shifting so it's always in semitones?

[MeldaProduction]

[Chandlerhimself]

Wonderful, thank you.

Just to be clear, in your explanation of Per-Voice modulation at the beginning, your example of how each chord note could be pitch-modded differently by the same modulator, you were thinking of applying key tracking to it as you showed at the end for LFO rate, right?

I ask because until I got to the end, I'd been wondering if you meant that you could somehow apply a transformation or something else to each additional voice that was added, to ensure that the shift difference was the same no matter what the key was of the next added voice…which I guess wouldn't be possible, right?

Using key tracking for pitch shifts, then… Is there a way to quantize the shifting so it's always in semitones?

I’m not sure if I understand exactly what you’re trying to do. I was referring to using key tracking, but there is the new polyphonic modulator that allows you to shift things based on how many notes are pressed. AFAIK there is no way to quantize the pitch shift, but who knows. With the math equation shape drawing a lot of things are possible.

[David]

Wonderful, thank you.

Just to be clear, in your explanation of Per-Voice modulation at the beginning, your example of how each chord note could be pitch-modded differently by the same modulator, you were thinking of applying key tracking to it as you showed at the end for LFO rate, right?

I ask because until I got to the end, I'd been wondering if you meant that you could somehow apply a transformation or something else to each additional voice that was added, to ensure that the shift difference was the same no matter what the key was of the next added voice…which I guess wouldn't be possible, right?

Using key tracking for pitch shifts, then… Is there a way to quantize the shifting so it's always in semitones?

I’m not sure if I understand exactly what you’re trying to do. I was referring to using key tracking, but there is the new polyphonic modulator that allows you to shift things based on how many notes are pressed. AFAIK there is no way to quantize the pitch shift, but who knows. With the math equation shape drawing a lot of things are possible.

Thanks—I was just referring to your example given at the start of the video, about pitch shifting the notes in a chord, so one note was up 2 steps, another up 5, etc., and wondering how to exactly do that…