Sometimes the novel part isn't the thing itself, but the quality in which it is done.
Also of course Hive's playback engine which can uniquely do "spectral morphing" in realtime between wavetable frames.
Sometimes the novel part isn't the thing itself, but the quality in which it is done.
you're the one spitting your dummy about emulating "crappy sounding synths"
I've got plenty to keep me busy, thanks
yes, but its still a wavetable, and Tek and said many times how he is "bored" of that sound, so no idea why he brought up that poor example, as he has no interest in it (you can find those speeches here and at SA)
I'd like to see more physical modeling synths... but besides that, I feel little interest in new forms of synthesis. What we have available now already exceeds most peoples capability to make full use of.Teksonik wrote: ↑Tue Jun 04, 2019 9:36 pm No telling what the future could hold if we'd stop looking at the past. There might just be a new form of synthesis right around the corner if someone puts the time and research in but we're too busy trying to emulate synths that have been surpassed years ago.
It's not possible to vastly improve upon RePro... What a gorgeous sounding synth it is and with lots of big wide sweet spots and so easy to work with.
I am so sated with the excellent presets of the few dozen
A SSM option for Repro-5 would be awesome!EvilDragon wrote: ↑Thu Jun 06, 2019 6:13 am Sure is. Add the Rev 2 chip emulations (SSM) which do sound even better than Curtis chips from Rev 3. Add highpass filter mode across all the different filter chip options on the Tweak panel, and LFO triggering the envelopes (so that we can finally fully convert Pro-53 patches to Repro-5).
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