On the Continuum it’s not using velocity and it is not triggering an envelope to shape the level of the sound. Your finger creates the envelope by how you play it (pressure). It’s Especially more flexible in the initial milliseconds compared to the fixed (in time) velocity value and clumsy transition to pressure of the usual method. The Continuum surface is far more precise in its response to pressure.BONES wrote: ↑Fri Nov 22, 2019 3:58 amYou mean velocity modulation of the attack time? That's been around for as long as velocity sensitivity has. I use it on string patches all the time and I don't even need MPE for it. On a Seaboard I could even use my finger position on the key wave to modulate envelope attack.
It has its pluses and minuses. The Osmose looks like an improvement over the Continuum surface to me... judging by the videos.