Typical use of audio rate modulation in Bitwig (besides trickery like using DC Offset as a oscillator, routing device or to 'freeze' otherwise random modulation to "fixed" automation) is FM and - unsurprisingly - you can achieve that in many synths. The point is, in Bitwig you can do that with native devices (and VSTs that accept audio-rate modulation), so - for example - you can modulate at audio rate an oscillator's phase (PM), pitch (FM) or amplitude (AM); filter's cutoff and/or resonance and many other parameters with any audio source: LFOs & envelopes, samples, audio signal produced on other tracks, live input, etc.Dirtgrain wrote: ↑Thu Apr 09, 2020 1:14 pmAudio rate modulation is brought up about Bitwig over and over. Every time, I go and seek out examples . . . and find nothing that doesn't sound like something I can already get to by other means. Anybody have a great example of a unique sound that audio rate modulation can create?
But this IMO has nothing to do with the subject of this topic