Again, what does this mean? What does it do differently? Please explain.EricRichmond wrote:yeah, but the way live does it is the smoothest I've seen by FAR
Is Live 4 really useless for MIDI?
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- KVRian
- 619 posts since 15 Feb, 2004 from Birmingham, UK
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- KVRist
- 106 posts since 9 Jul, 2004
assuming you try the "follow action" workaround andDHR53 wrote:you didn't have to manually turn on the clips sometimes...
you've set up a row of empty, ready-to-record clips.
all are linked by "follow actions" and loop endless.
this happens if you set the clip at the bottom of the
row to [jump] "first".
now assign wether a keyboard (qwertz) or a midi-signal
to the first clip. as the track is armed, recording
will start upon your input (can even be a midi-note
as someone said here).
thus you have an "instant hot" record track and you
can work with other tracks as you like/need.
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- KVRist
- 106 posts since 9 Jul, 2004
to me there's one big difference to other hosts:visa tapani wrote:Again, what does this mean? What does it do differently? Please explain.
you can rapidly create variations of a take especially
with loop-oriented material. you can start anything
at any time. whilst this atomclock goes on and on and o...
its tight loop-handling is the key, if you ask me.
- KVRAF
- 2874 posts since 22 Oct, 2002 from "somewhere between digital and analog"
Clip actions is obviously one of the coolest functions, but there is very little info about it in the manual... I'd like to see some more real life examples of someone creating a complete song in Live using both the session and arrange view (like a video)... I've been through the tutorials on the website, but I think they cover more techniques for loop manipulation rather than actual song construction/composition... That's what I have failed to pin down... It does seem like I have to activate too much stuff manually in session view, though... Hmmm?