It looks like Mars to me.
So, AmpliTube Mick Mars then...?
It looks like Mars to me.
good post. i agree about the defualts and the stock amp collection. i find i am able to get lots of usable tones just using the Marshal JMC amps. They have less coloration and it's easier to find tune what you need out of them. I use them more than the logo'ed amps.Synthient Sound wrote: ↑Sat Oct 24, 2020 9:27 pm Just generally, to whoever it may concern...The stock/default cab mic'ing has the SM57 right over the dust cap, which does tend to sound a bit harsh in isolation. I always move the mics around as I do when I record real cabs and have found quite good results when doing so. The stock/default mixer setup is not to my taste, but is easily remedied.
Making an INIT patch for yourself with a more pleasing mic and mixer setup really brings out the best of the cab section. I don't think IR import will ever be a feature and I don't think it is needed as the cab section is far more intuitive and easier than using IRs, especially if you've spent a lot of time recording hardware amps. The cab section is quite good sounding if you know your way around the differences between speakers/cabs and mic combos. I get the expected results when changing speaker type or moving mics into positions I'd normally record with.
I'm concerned this will be MODO Guitar and not Amplitube 5, which would be of no use to me. What I would like to see from the next version of Amplitube would be to drop all of the (roughly) 10-15 year old amp models out of it and get those basic classics remodeled (full EQ AC-30, '68 Plexi lead, '59 Bassman, etc).
Some of the missing classics added would be nice like a Matchless DC-30, Diezel VH-4, etc.
Just add on...I've been using Amplitube since version 2 I think, and definitely agree with what has been stated about the constant improvement. I do think they had a major shift around the time of the Mesa pack and version 4 in the way that they did the modeling. I'm finding myself going to A4 much more than to my amps as it is so much easier. The Brit Collection, SVX2, and the May/Satriani packs sound really, really good. Red Pig (Brit), '57 Pro (from Fender 2) for guitar, SVX-VR or SVX-15n are used on almost every project.
they are monitoring KVR.. bastarthos!!!
I am a big fan of space and echo delays. if they were to implement the space delays into AT 5 as an effect -- now that would be cool.
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