NI / Izotope partnership. A good thing for musicians?
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excuse me please excuse me please https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=427648
- KVRAF
- 1631 posts since 10 Oct, 2018
Dunno. €599 for Komplete does not seem unfair to me. However, for starters it is still an expensive option. This is why they got stuck afaik.
Btw I don't think the kids of today are getting excited when they look at the NI list and see '60s Drummer, 70s Drummer etc.'
Because.... THAT is their first impression they'll get of NI when going to the NI site. Apparently, no one at NI HQ realizes that '60s Drummer' is not exactly a great business card anno 2021.
They better display their best assets at the NI site first and add a sentence like: "aaand there's a lot more!"
Btw I don't think the kids of today are getting excited when they look at the NI list and see '60s Drummer, 70s Drummer etc.'
Because.... THAT is their first impression they'll get of NI when going to the NI site. Apparently, no one at NI HQ realizes that '60s Drummer' is not exactly a great business card anno 2021.
They better display their best assets at the NI site first and add a sentence like: "aaand there's a lot more!"
- KVRAF
- 24433 posts since 7 Jan, 2009 from Croatia
Hummm...
https://www.native-instruments.com/en/catalog/komplete/
60s Drummer nowhere on the first page.
But also, there are tiers to Komplete, including the free Start and a very affordable Select, so there's stuff for starters too, really.
https://www.native-instruments.com/en/catalog/komplete/
60s Drummer nowhere on the first page.
But also, there are tiers to Komplete, including the free Start and a very affordable Select, so there's stuff for starters too, really.
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- KVRist
- 55 posts since 22 Sep, 2016
Abbey Road Drum series is one of the best products they ever done in houseexcuse me please wrote: Sat Mar 13, 2021 9:10 am Btw I don't think the kids of today are getting excited when they look at the NI list and see '60s Drummer, 70s Drummer etc.'
Because.... THAT is their first impression they'll get of NI when going to the NI site. Apparently, no one at NI HQ realizes that '60s Drummer' is not exactly a great business card anno 2021.
Who knows, maybe it would do better marketing if exposed more.
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excuse me please excuse me please https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=427648
- KVRAF
- 1631 posts since 10 Oct, 2018
Thanks for correcting me!EvilDragon wrote: Sat Mar 13, 2021 9:15 am Hummm...
https://www.native-instruments.com/en/catalog/komplete/
60s Drummer nowhere on the first page.
But also, there are tiers to Komplete, including the free Start and a very affordable Select, so there's stuff for starters too, really.
However, correct me if I am wrong, first one has to dld this:
https://www.native-instruments.com/en/s ... ve-access/
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excuse me please excuse me please https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=427648
- KVRAF
- 1631 posts since 10 Oct, 2018
PS I was directed to "Native Access" by DJ Warmonger earlier in this thread (page 3). To add up to the confusion. Did not even know of its existence!
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- KVRian
- 759 posts since 13 Apr, 2017
For me that's exactly the reason why i'm not buying anything by EW, VSL, SF etc. I don't want to end up with a multitude of proprietary players and copy protection problems. It doesn't make much sense having to learn all those sample players either. One sampler is basically enough for me. Maybe add Battery for drums.Mr Arkadin wrote: Fri Mar 12, 2021 7:01 pm I'm just glad people like Spitfire are developing their own apps for their libraries, hopefully they'll port all of them (also VSL, OT, EW etc.).
Sure, if NI goes bust i'd look for another one stop shop solution. Preferably open source player and/or format.
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- KVRAF
- 2315 posts since 11 Mar, 2003
Well learning the different sample players is no different to learning the different ways different companies implement their libraries in Kontakt - they don't all use the same interface by any stretch, so they are like having different players anyway. The only real advantage is you can have multiple libraries in Kontakt, but I can live without that as long as I can have the libraries (the sound is more important to me than the box it lives in).mi-os wrote: Sat Mar 13, 2021 11:15 amFor me that's exactly the reason why i'm not buying anything by EW, VSL, SF etc. I don't want to end up with a multitude of proprietary players and copy protection problems. It doesn't make much sense having to learn all those sample players either. One sampler is basically enough for me. Maybe add Battery for drums.Mr Arkadin wrote: Fri Mar 12, 2021 7:01 pm I'm just glad people like Spitfire are developing their own apps for their libraries, hopefully they'll port all of them (also VSL, OT, EW etc.).
Well there's the problem. In terms of quantity and quality, Kontakt is where most developers are at and the source of amazing free libraries.mi-os wrote: Sat Mar 13, 2021 11:15 am Sure, if NI goes bust i'd look for another one stop shop solution. Preferably open source player and/or format.
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- KVRian
- 759 posts since 13 Apr, 2017
The idea of a NI-Izotope partnership sounds horribly to me. I can't imagine a good reason for this. I never wanted to have something to do with Izotope and never found any of their products appealing. I've a really bad feeling about this and the future of NI.
edit: Maybe i'm a little too harsh towards Izotope here. But the core statement stays.
edit: Maybe i'm a little too harsh towards Izotope here. But the core statement stays.
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Cancel Culture Club Cancel Culture Club https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=486062
- KVRist
- 146 posts since 28 Dec, 2020
Please correct me if I'm wrong, but didn't Native Instruments layoff several people just a few years ago, followed by a very large investment, then a year or so later, another large investment by another investor? Now they are merging with another company? All I see is red flags... Oh yeah they tried to vaporware some stuff recently too... Maybe they're heading right into the subscription model?mi-os wrote: Sat Mar 13, 2021 11:32 am The idea of a NI-Izotope partnership sounds horribly to me. I can't imagine a good reason for this. I never wanted to have something to do with Izotope and never found any of their products appealing. I've a really bad feeling about this and the future of NI.
edit: Maybe i'm a little too harsh towards Izotope here. But the core statement stays.
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Cancel Culture Club Cancel Culture Club https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=486062
- KVRist
- 146 posts since 28 Dec, 2020
Just wanted to add, that NI makes fantastic products and their software is top notch, same with Izotope. But, I believe that their Komplete bundle has become less and less stellar as the years have gone on. Not that the products' quality themselves have diminished, but the overall appeal of new innovation or creatively unique devices has long been gone.
What I'm seeing, and from a lot of other software developers, is more of the same in different skins.
I believe that a subscription model that can consistently provide other material along with more of the same, might keep open a channel for new and intermediate consumers to feed on.
Like having a Netflix subscription for a couple of years, you've probably watch all the good stuff by now, and a lot of people move on to the next best thing... Some stick around for the exclusive movies, just like sound packs.
If someone has been with a company for a long time, the longer you stay with them, the more the material feels like more of the same. It's nice to have all the latest features and functions, it's even fun to play with all the new stuff. But, when it all comes down to the final decision financially, is that going to be enough to keep the constant attention and financial streamline intact?
Anyone can simply move on to the next subscription, or even worse buy a copy and just make music.
What I'm seeing, and from a lot of other software developers, is more of the same in different skins.
I believe that a subscription model that can consistently provide other material along with more of the same, might keep open a channel for new and intermediate consumers to feed on.
Like having a Netflix subscription for a couple of years, you've probably watch all the good stuff by now, and a lot of people move on to the next best thing... Some stick around for the exclusive movies, just like sound packs.
If someone has been with a company for a long time, the longer you stay with them, the more the material feels like more of the same. It's nice to have all the latest features and functions, it's even fun to play with all the new stuff. But, when it all comes down to the final decision financially, is that going to be enough to keep the constant attention and financial streamline intact?
Anyone can simply move on to the next subscription, or even worse buy a copy and just make music.
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- KVRian
- 997 posts since 27 Apr, 2005
Yeah, I gotta agree with this. I regularly use these over other more highly regarded drum libraries that I also own. I mean, if you don't use acoustic drum samples in your music it probably holds little attraction, but if you do, you could do a lot worse and spend a lot more.stacev wrote: Sat Mar 13, 2021 9:23 amAbbey Road Drum series is one of the best products they ever done in houseexcuse me please wrote: Sat Mar 13, 2021 9:10 am Btw I don't think the kids of today are getting excited when they look at the NI list and see '60s Drummer, 70s Drummer etc.'
Because.... THAT is their first impression they'll get of NI when going to the NI site. Apparently, no one at NI HQ realizes that '60s Drummer' is not exactly a great business card anno 2021.
Who knows, maybe it would do better marketing if exposed more.
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- KVRist
- 224 posts since 12 Mar, 2021
The future of music creation will have lots of assistance from machine learning, and this partnership will bring iZotope's growing expertise in this to NI's future products. It is thrilling to think of the possibilities.
- KVRAF
- 18446 posts since 26 Jun, 2006 from San Francisco Bay Area
Making Maschine+ was seriously the smartest thing any music company did in the last decade. They will own that market for the foreseeable future. Outside of guitar stuff, it’s probably the biggest segment of the market.nightjar wrote: Sat Mar 13, 2021 12:23 am Glad most in this thread are not in product development.... severe lack of vision.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- KVRAF
- 18446 posts since 26 Jun, 2006 from San Francisco Bay Area
What if, god forbid, some EDM kid used Abby Road Drums in one of their tunes?! Could they accidentally make something that doesn’t sound like the 50 million other tracks everyone is making? I guess we’ll never know.ShawnG wrote: Sat Mar 13, 2021 4:05 pmYeah, I gotta agree with this. I regularly use these over other more highly regarded drum libraries that I also own. I mean, if you don't use acoustic drum samples in your music it probably holds little attraction, but if you do, you could do a lot worse and spend a lot more.stacev wrote: Sat Mar 13, 2021 9:23 amAbbey Road Drum series is one of the best products they ever done in houseexcuse me please wrote: Sat Mar 13, 2021 9:10 am Btw I don't think the kids of today are getting excited when they look at the NI list and see '60s Drummer, 70s Drummer etc.'
Because.... THAT is their first impression they'll get of NI when going to the NI site. Apparently, no one at NI HQ realizes that '60s Drummer' is not exactly a great business card anno 2021.
Who knows, maybe it would do better marketing if exposed more.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
