Ah yes, of course. The RD-8 mk ii (and the 2 special edition 2600s) has given me hope they’ll revisit models and maybe we’ll get options at a later date. I’d really love it if they found a way to add MIDI control to controls like Roland did with their boutique clones, but obviously that was helped by being based on the ACB tech over original hardware.chk071 wrote: Wed Jun 30, 2021 10:39 amThey have the Deepmind, if you don't mind it not being a strict clone.WatchTheGuitar wrote: Sun Jun 27, 2021 9:25 amThink I’m right in saying Behringer have yet to bring out options for both desktop and keys on any of their models, but the Pro-800 (Prophet 600 clone) seems to be coming out eventually as a poly desktop even if this doesn’t.gExpectations wrote: Sun Jun 27, 2021 8:33 am I hope they release a module version and manage a lower price point
Behringer UB-Xa Synthesizer (OB-Xa clone)
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WatchTheGuitar WatchTheGuitar https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=440193
- KVRAF
- 13256 posts since 30 Apr, 2019
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AdvancedFollower AdvancedFollower https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=418780
- KVRian
- 1342 posts since 8 May, 2018 from Sweden
The question is, what can they do to make the sound "better" than plugins, which are already 98-99% of the way there? I mean the OB-Xa has a certain sound. Obsession already has that sound. In order for UB-Xa to sound even *better* than both, it would need to sound different from both the plugin and the original hardware.pixel85 wrote: Wed Jun 30, 2021 10:31 am Of course. And also need to record everything to audio and other disadvantages. This is why, for me, to buy a hardware synth, it must have also an advantage in sound over plugins to balance the pros and cons of having a hardware synth.
Take a single oscillator, producing a drone. Send it to the wave shaper, altering the tone.
This can be a triangle, Sawtooth or a square. Modulate the pulse width, nobody will care
This can be a triangle, Sawtooth or a square. Modulate the pulse width, nobody will care
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- KVRAF
- 1863 posts since 11 Apr, 2008
I'll tell you when I'll hear itAdvancedFollower wrote: Wed Jun 30, 2021 3:15 pmThe question is, what can they do to make the sound "better" than plugins, which are already 98-99% of the way there? I mean the OB-Xa has a certain sound. Obsession already has that sound. In order for UB-Xa to sound even *better* than both, it would need to sound different from both the plugin and the original hardware.pixel85 wrote: Wed Jun 30, 2021 10:31 am Of course. And also need to record everything to audio and other disadvantages. This is why, for me, to buy a hardware synth, it must have also an advantage in sound over plugins to balance the pros and cons of having a hardware synth.
- KVRAF
- 24414 posts since 7 Jan, 2009 from Croatia
They can make it not produce aliasing no matter how you set the parameters. OBsession is absolutely great, but it CAN be pushed to produce digital artifacts. Edge cases, yes, but they exist in the plugin. But not the analog hardware.AdvancedFollower wrote: Wed Jun 30, 2021 3:15 pmThe question is, what can they do to make the sound "better" than plugins, which are already 98-99% of the way there? I mean the OB-Xa has a certain sound. Obsession already has that sound. In order for UB-Xa to sound even *better* than both, it would need to sound different from both the plugin and the original hardware.pixel85 wrote: Wed Jun 30, 2021 10:31 am Of course. And also need to record everything to audio and other disadvantages. This is why, for me, to buy a hardware synth, it must have also an advantage in sound over plugins to balance the pros and cons of having a hardware synth.
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- KVRAF
- 7097 posts since 22 Jan, 2005 from Sweden
The obvious is that analog filters are really hard to replicate as digital.AdvancedFollower wrote: Wed Jun 30, 2021 3:15 pmThe question is, what can they do to make the sound "better" than plugins, which are already 98-99% of the way there? I mean the OB-Xa has a certain sound. Obsession already has that sound. In order for UB-Xa to sound even *better* than both, it would need to sound different from both the plugin and the original hardware.pixel85 wrote: Wed Jun 30, 2021 10:31 am Of course. And also need to record everything to audio and other disadvantages. This is why, for me, to buy a hardware synth, it must have also an advantage in sound over plugins to balance the pros and cons of having a hardware synth.
I have one example where Tim Shoebridge tested Iridium and Quantum, which is said to be big brother and having analog filters compared to Iridium which is digital.
Shoebridge said
- they sound almost identical
but as he played it was way different plain sounding in Iridium. But he got Iridium as a loan and probably did not want to bash it right out.
I suspect all attempts from Roland to replicate Jupiter 8 in System 8 and Jupiter X will show the same thing.
There are more synths still making the effort with analog filters but just about everything else digital.
Many VA synths often have a lot of effects to cover up of the core tone. Exception in my case is Nordlead2X, where they spent all development on the core sound. But starting to push filters and resonance it does not compare to Prologue or even DeepMind.
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AdvancedFollower AdvancedFollower https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=418780
- KVRian
- 1342 posts since 8 May, 2018 from Sweden
All fair points, but I think there are a small but growing number of plugins that really nail the sound of analog, including the filters. FWIW I have a few analog synths so I have some reference. Sometimes I prefer to use my "real" analog synths, other times I prefer something like Obsession, Jup 8v4, Repro 5 etc. The choice has more to do with the character of the different synths (VST or hardware) or specific features, rather than what kind of technology they use.lfm wrote: Wed Jun 30, 2021 4:00 pm
The obvious is that analog filters are really hard to replicate as digital.
I have one example where Tim Shoebridge tested Iridium and Quantum, which is said to be big brother and having analog filters compared to Iridium which is digital.
Shoebridge said
- they sound almost identical
but as he played it was way different plain sounding in Iridium. But he got Iridium as a loan and probably did not want to bash it right out.
I suspect all attempts from Roland to replicate Jupiter 8 in System 8 and Jupiter X will show the same thing.
There are more synths still making the effort with analog filters but just about everything else digital.
Many VA synths often have a lot of effects to cover up of the core tone. Exception in my case is Nordlead2X, where they spent all development on the core sound. But starting to push filters and resonance it does not compare to Prologue or even DeepMind.
I think the final limitation for digital is audio-rate stuff. That quickly gets extremely CPU-intensive and the resolution limitations begin to show. Heck, even my SE-02, which has VCO's and a VCF, suffers from digital artifacts when doing some Xmod stuff, because the envelopes and LFO are digital and not high-resolution enough.
Take a single oscillator, producing a drone. Send it to the wave shaper, altering the tone.
This can be a triangle, Sawtooth or a square. Modulate the pulse width, nobody will care
This can be a triangle, Sawtooth or a square. Modulate the pulse width, nobody will care
- u-he
- 30194 posts since 8 Aug, 2002 from Berlin
Well, apparently the modern industrial scale recreations of vintage hardware are further off from the real deal than properly modelled software. I suspect the old PCB and thru hole parts had all those nice desirable temperature issues that modern machine soldered SMT parts simply don't. Not only did they get rid of the undesired artefacts (e.g. noise and ground hum), but they also lost the character on the way. I think it's much easier to capture all that in software than it is to try and reproduce early transistor technology on current silicon dies.
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- KVRAF
- 7097 posts since 22 Jan, 2005 from Sweden
Yes, I'm sure you can model hum and noise, real well.Urs wrote: Sun May 15, 2022 11:37 am Well, apparently the modern industrial scale recreations of vintage hardware are further off from the real deal than properly modelled software. I suspect the old PCB and thru hole parts had all those nice desirable temperature issues that modern machine soldered SMT parts simply don't. Not only did they get rid of the undesired artefacts (e.g. noise and ground hum), but they also lost the character on the way. I think it's much easier to capture all that in software than it is to try and reproduce early transistor technology on current silicon dies.
"Properly modelled", yeah, there is plenty of those going around.
That is the "holy grail", really if you can do that.
Some at the time college kids, did some math to model analog and later formed Softube!!!!!
You can build a business entierly over this.
Fender also licensed that for some time, I believe for amp modelling.
Simul Analog later became Overloud, I think it was.
I think Magix Vandal also is modelled circuits if I'm not mistaken.
There is gain and losses doing it "properly".
Roland did System-8 with ACB(analog circuit behavior), I think it was called.
But polyphony was very limited due to cpu used.
Some state that this sound better though than the later Zen technology they have in Jupiter X and Juno X and such, but Zen allow plenty more voices.
My Nordlead 2X some state sound too clean, it is 96k inside it compared to predessor Nordlead 2 which were 48k.
Many hardware emulating Waves plugins have button for "Analog" which add noise and hum.
I analog world though, hum and noise also affect the circuit behavior itself. It's overlaid everywhere in signal path.
The last with analog Roland did I think was JDXa, combined with digital section with Integra stuff. Seems to me they are not going back to analog reissues.
Arturia started as I recall with software emulations, but went more into hardware anyway. And I bless them for that and their Polybrute.
Those that sit on "properly modelled" are rich now and can enjoy their early retirement, I think. At least if they apply to desired applications.
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- KVRAF
- 7097 posts since 22 Jan, 2005 from Sweden
I don't know if edited until I downloaded, but I heard not one negative comment anywhere. Demo spanned a lot of features, I think, some very unique.Vortifex wrote: Sun May 15, 2022 10:54 am Andertons have released a new video demonstrating the synth and the reaction seems mostly negative. I thought the synth itself actually sounds nice but I don't think the demo was very well done, and I wonder if there might have been recording issues:
Demos with factory presets are usually dull, IMO. Very, very few of factory stuff I ever use on any synth.
Those that care to make own presets are usually better, like BoBeats.
Thanks for link
Last edited by lfm on Sun May 15, 2022 1:10 pm, edited 1 time in total.
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- KVRAF
- 7097 posts since 22 Jan, 2005 from Sweden
That's right, I just downloaded url.
There is always a crowd that bash anything Behringer do.
- addled muppet weed
- 111283 posts since 26 Jan, 2003 from through the looking glass
not even close! didn't play jump.