I still get this on the Komplete update page whenever it's time to update: "As an owner of Komplete Care 2006, you are entitled to an upgrade price for Komplete xyz".machinesworking wrote: ↑Thu Dec 09, 2021 7:02 am It was more like 15 years ago. Komplete Care was the name. They dropped the ball big time the second year and had to drop the update plan, not really a subscription, you would get any product they released that year if you owned Komplete.
I see NI have just started with a subscription offering.....'Komplete Now'
- KVRAF
- 2744 posts since 5 Dec, 2003 from Harlan's World
My Soundcloud Too many pieces of music finish far too long after the end. - Stravinsky
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- KVRAF
- 5451 posts since 25 Jan, 2007
Well I read all those quotes - believe it or not, but I'm not sure you've read mine. I have PT Ultimate - I know all about Avid's rubbish policies and I don't like them. I agree with you on that. But it's not relevant here, because they set out their stall when they went subscription in the first place - what we are looking for is very specific, companies who started softly-softly, and then turned to get rid of perpetual altogether. That's what the masses are screaming about - "but it's the slippery thin end of the wedge slope". Yet for Avid, little has changed in all the many years they have been offering subscriptions. In fact they've just added HEAT for perpetual subscribers with their support packages. Freebies for perpetual license-holders, imagine! The one thing you can perhaps raise is them taking away reinstatements, but these have been, well, reinstated (albeit temporarily). As for iZotope, nothing has changed at al. I have lost of their products as perpetual licenses, and I've not been inconvenienced or penalised in any way as a result of the changes. Maintenance releases are still there too. Yet I genuinely think some here don't think there are new products at all, that new features are only for subscription subscribers. It's not the case - it's just fear-mongering running away with itself.machine_spirit wrote: ↑Thu Dec 09, 2021 1:00 am Read the post you quoted, including the quotes. It seems you believe you're the only one who gets to decide what is relevant, and when. You've been given several different examples of developers who immediately or eventually took a dump on their perpetual licenses in one way or another when/after subscription was introduced. Examples for every variation of challenge you've come up with. The poll in the other thread about subscriptions in general speaks for itself, that kind of rejection doesn't come out of nowhere. Just the fact that venture capital and developers in a monopoly position seem to gravitate towards subscriptions is evidence enough that it should be avoided.
For music-making I don't like subscriptions. At all. I have zero and that won't change. They are everywhere among the products I use, and yet it doesn't affect me in the slightest. NI have been crystal clear about this being additional, and perpetual being... well, perpetual. It's a non-issue for me. But many here would rather act as if they sky is falling in based on little-to-nothing. Fine - their choice to find replacements for everything that works perfectly well and will continue to work perfectly well.
You clearly think I'm wrong. There we go.
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- KVRAF
- Topic Starter
- 11195 posts since 2 Dec, 2004 from North Wales
Good memory- Yes, I was one of those that signed up for it, I think it ran for a few years but was indeed a shit show that didn't last long...I did end up getting sent a T shirt at some point! Not sure if that was related, my memory isn't what it used to be!machinesworking wrote: ↑Thu Dec 09, 2021 7:02 amIt was more like 15 years ago. Komplete Care was the name. They dropped the ball big time the second year and had to drop the update plan, not really a subscription, you would get any product they released that year if you owned Komplete. They went a year not releasing anything and the product was scrapped after extending it to two years to make up and giving us all copies of Massive etc. NI have always been an amazing dazzling innovative shit show.
X32 Desk, i9 PC, S49MK2, Studio One, BWS, Live 12. PUSH 3 SA, Osmose, Summit, Pro 3, Prophet8, Syntakt, Digitone, Drumlogue, OP1-F, Eurorack, TD27 Drums, Nord Drum3P, Guitars, Basses, Amps and of course lots of pedals!
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- KVRAF
- 5664 posts since 7 Feb, 2013
+ manyGeneralQ wrote: ↑Thu Dec 09, 2021 7:20 am I don't get the hate to be honest. As long as they don't change the regular licences they can offer a subscription if they want. Same with izotope. I have quite a few izotope products and they still work just as they had before they introduced a subscription. They are also still offering sales and bundles just as before.
Most subscriptions are bad but as long as you can still buy their stuff normaly I really don't mind it.
I only ever buy perpeutal licenses/upgrades and as long as this is possible I don't mind any alternatives the companies may offer.
I also own quite a few NI and Izotope plugins and use them daily, will continue using them and will uprade them or buy more when I think I need that, as long as they don't cancel that possibility it's all good.
It's a different story with Roland, I probably woulnd't mind having some of their softwares but as long as they only offer subscription I'm not touching it with a ten-foot pole.
You may think you can fly ... but you better not try
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gentleclockdivider gentleclockdivider https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=203660
- KVRAF
- 6113 posts since 22 Mar, 2009 from gent
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- KVRAF
- Topic Starter
- 11195 posts since 2 Dec, 2004 from North Wales
Roland quietly backed down...most of there stuff can be bought now with a lifetime key....the cloud thing just becomes the copy projection (which may be enough of a reason for some to avoid, but I have never had an issue with it)recursive one wrote: ↑Thu Dec 09, 2021 9:06 am It's a different story with Roland, I probably woulnd't mind having some of their softwares but as long as they only offer subscription I'm not touching it with a ten-foot pole.
https://www.rolandcloud.com/memberships
X32 Desk, i9 PC, S49MK2, Studio One, BWS, Live 12. PUSH 3 SA, Osmose, Summit, Pro 3, Prophet8, Syntakt, Digitone, Drumlogue, OP1-F, Eurorack, TD27 Drums, Nord Drum3P, Guitars, Basses, Amps and of course lots of pedals!
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- KVRAF
- 5664 posts since 7 Feb, 2013
Cool, I didn't know that. Thanks for the heads up!SLiC wrote: ↑Thu Dec 09, 2021 9:43 amRoland quietly backed down...most of there stuff can be bought now with a lifetime key....the cloud thing just becomes the copy projection (which may be enough of a reason for some to avoid, but I have never had an issue with it)recursive one wrote: ↑Thu Dec 09, 2021 9:06 am It's a different story with Roland, I probably woulnd't mind having some of their softwares but as long as they only offer subscription I'm not touching it with a ten-foot pole.
https://www.rolandcloud.com/memberships
Does it mean I need to stay online when I use the plugins?
You may think you can fly ... but you better not try
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- KVRAF
- Topic Starter
- 11195 posts since 2 Dec, 2004 from North Wales
No, it all works off line for up to 1 week then asks you to log in to authorise if you are not connected, if you log in and out you can be off line for another week etc). My DAW is on line anyway now so now issue and I tend to check in anyway as there are quite a lot of updates, new packs etc.recursive one wrote: ↑Thu Dec 09, 2021 9:52 amCool, I didn't know that. Thanks for the heads up!SLiC wrote: ↑Thu Dec 09, 2021 9:43 amRoland quietly backed down...most of there stuff can be bought now with a lifetime key....the cloud thing just becomes the copy projection (which may be enough of a reason for some to avoid, but I have never had an issue with it)recursive one wrote: ↑Thu Dec 09, 2021 9:06 am It's a different story with Roland, I probably woulnd't mind having some of their softwares but as long as they only offer subscription I'm not touching it with a ten-foot pole.
https://www.rolandcloud.com/memberships
Does it mean I need to stay online when I use the plugins?
X32 Desk, i9 PC, S49MK2, Studio One, BWS, Live 12. PUSH 3 SA, Osmose, Summit, Pro 3, Prophet8, Syntakt, Digitone, Drumlogue, OP1-F, Eurorack, TD27 Drums, Nord Drum3P, Guitars, Basses, Amps and of course lots of pedals!
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- KVRAF
- 5664 posts since 7 Feb, 2013
Good to know, thanks!SLiC wrote: ↑Thu Dec 09, 2021 9:57 am No, it all works off line for up to 1 week then asks you to log in to authorise if you are not connected, if you log in and out you can be off line for another week etc). My DAW is on line anyway now so now issue and I tend to check in anyway as there are quite a lot of updates, new packs etc.
I'm usually offline but I do connect my DAW PC to the web every now and then, certainly more often than once a week.
Now I'll have to check out Roland stuff at some point, welcome GAS
You may think you can fly ... but you better not try
- KVRAF
- 2867 posts since 8 Dec, 2008 from Global Cowboy
I have a twelve foot pole here that you could borrow if you likerecursive one wrote: ↑Thu Dec 09, 2021 9:06 am
I also own quite a few NI and Izotope plugins and use them daily, will continue using them and will uprade them or buy more when I think I need that, as long as they don't cancel that possibility it's all good.
It's a different story with Roland, I probably woulnd't mind having some of their softwares but as long as they only offer subscription I'm not touching it with a ten-foot pole.
No auto tune...
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midi_transmission midi_transmission https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=298730
- KVRian
- 989 posts since 13 Feb, 2013
The general question is this. To we want to accept as musicians that we get depend on the internet to make music because of copy protection?
I'm quite sure it will get more over time when companies see that users accept that.
I'm quite sure it will get more over time when companies see that users accept that.
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- KVRAF
- 5451 posts since 25 Jan, 2007
We've rolled off the main point of the thread, but in general I'm happy to have the internet to make music, as long as it is not required instantly. ie - if something needs to check in once in a while - especially if it does it seamlessly - no issues. If it needs to be there to launch and use it every time - issue.midi_transmission wrote: ↑Thu Dec 09, 2021 11:56 am The general question is this. To we want to accept as musicians that we get depend on the internet to make music because of copy protection?
I'm quite sure it will get more over time when companies see that users accept that.
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original flipper original flipper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8999
- KVRAF
- 2541 posts since 14 Sep, 2003 from Essex
Hi
This is a pet peeve for me - anyone who has been around the industry as an end purchaser for 20 years or so would see how things have changed from primarily serials (or no copy protection at all) to the place we now find ourselves.
As far as subscription models are concerned it follows that some way to update/terminate that arrangement needs to be in place - so you want something for a lesser outlay you have to accept the 'strings' attached.
The wider argument - I have probably 5 or 6 completely different sets of software that 'call home' and/or use some kind of activation/control centre software and I do not like it - BUT, I decided to purchase said software so I would be rather contrary to now bemoan it!
Fortunately we do not see too many companies 'going under' so within reason whatever you buy into is reasonably safe.
I also suppose that if you are overly concerned about potentially loosing access to software than you could do a lot worse than produce your music in a timely manner, save stems, audio, take notes, make rough mixes and so on to protect your beloved productions as you go along.
That is another discussion of course: why do modern musicians/producers/hobbyist take years to complete their tunes and/or work on multiple productions and/or just never finish what they start!!!!
This is a pet peeve for me - anyone who has been around the industry as an end purchaser for 20 years or so would see how things have changed from primarily serials (or no copy protection at all) to the place we now find ourselves.
As far as subscription models are concerned it follows that some way to update/terminate that arrangement needs to be in place - so you want something for a lesser outlay you have to accept the 'strings' attached.
The wider argument - I have probably 5 or 6 completely different sets of software that 'call home' and/or use some kind of activation/control centre software and I do not like it - BUT, I decided to purchase said software so I would be rather contrary to now bemoan it!
Fortunately we do not see too many companies 'going under' so within reason whatever you buy into is reasonably safe.
I also suppose that if you are overly concerned about potentially loosing access to software than you could do a lot worse than produce your music in a timely manner, save stems, audio, take notes, make rough mixes and so on to protect your beloved productions as you go along.
That is another discussion of course: why do modern musicians/producers/hobbyist take years to complete their tunes and/or work on multiple productions and/or just never finish what they start!!!!
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midi_transmission midi_transmission https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=298730
- KVRian
- 989 posts since 13 Feb, 2013
I have a different opinion here. That does only work when you have a real choice. This works for plugins, I focus on the developers like u-he etc. where I'm always happy to buy from.original flipper wrote: ↑Thu Dec 09, 2021 1:16 pm I have probably 5 or 6 completely different sets of software that 'call home' and/or use some kind of activation/control centre software and I do not like it - BUT, I decided to purchase said software so I would be rather contrary to now bemoan it!
But this there are products where it's difficult. Take Cubase for example. You've been a Cubase users for 10 years, know it inside out, now you can follow the online copy protection or use a different DAW. And even when, it's not so unlikely that other DAW will follow when they see it's accepted. And faster than you think you need an internet connection just to create music.
Or take Kontakt, the whole sample eco system is build on it, it's not really a choice to use Kontakt.
I'm concerned with the general development, not about a single case.
For me a computer is a synth that can load different models. How do you like it when your hardware synth would need that to be used?
For me the best form of serious copy protection is something like a dongle. The only issue with that are laptops. But I could imagine something like that you can use the software 14 day without the dongle, before it requires to attach it. Similar to how it should work with the latest ideas of online protection.
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machinesworking machinesworking https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8505
- KVRAF
- 6214 posts since 15 Aug, 2003 from seattle
THere's nothing similar about this, Komplete Care covered updates and upgrades to Komplete, but you had no idea what was coming, and they literally had a year where nothing was upgraded. When they send you an offer on Komplete, the update or upgrade is already out. Essentially NI years ago proved to me how idiotic subscriptions are that are based on possible improvements to your paid for software.kovacs wrote: ↑Thu Dec 09, 2021 8:44 amI still get this on the Komplete update page whenever it's time to update: "As an owner of Komplete Care 2006, you are entitled to an upgrade price for Komplete xyz".machinesworking wrote: ↑Thu Dec 09, 2021 7:02 am It was more like 15 years ago. Komplete Care was the name. They dropped the ball big time the second year and had to drop the update plan, not really a subscription, you would get any product they released that year if you owned Komplete.