I somehow never ran into it.Resonant- Serpent wrote: Mon Dec 20, 2021 4:16 pm Presonus, on the other hand, can't even kill the 666 Noise Blast bug that's been going on for years.
What do you have to do to do so?
I somehow never ran into it.Resonant- Serpent wrote: Mon Dec 20, 2021 4:16 pm Presonus, on the other hand, can't even kill the 666 Noise Blast bug that's been going on for years.
No kidding smart@ss. And did they decide to change Steinberg's copy protection
At last a meaningful response with pertinent questions instead of the usual KVR snark fest. As to your first question. I still have many friends inside the company and they are excited and positive about the deal. BUT....you must also realize that Presonus Audio Electronics in Baton Rouge, USA and Presonus Software in Berlin, Germany are, in fact, two separate companies. Of course, they work closely together, but unless Fender bought BOTH companies...and I can't confirm or deny this....Studio One maybe unaffected. OR if Fender can't have them, perhaps they will tear up the deal and shutter that end of the business. In that case, I would assume Matthias would build a new DAW....just like he did when he split from Steinberg. And where HE goes......I follow.wuworld wrote: Sat Dec 18, 2021 11:58 pmAs a former Presonus employee what do you see happening? Also, I was thinking Matthias from Presonus Software created Studio One. Is their a chance he leaves you think to create his own DAW, if Fender doesn't workout? He left Steinberg I think, and created one. Just a thought.CapnLockheed wrote: Sat Dec 18, 2021 9:05 pmBecause FENDER is not run by musicians and has not been for years.cryophonik wrote: Sat Dec 18, 2021 8:48 pm I see no reason that they can’t (or wouldn’t) appeal to both camps.
They are owned by a private equity firm run by bean counters. Sometimes,
these types of firms, like Mitt Romney's former company Bain Capitol, buy
companies to PURPOSLY destroy them to line their own pockets. Sometimes
they simply do not understand the needs of the user base of the company
they just bought. Either way....the end user is screwed.
When CBS bought Fender back in the day it nearly ruined the brand. Likewise
when Norlin bought Gibson the result was the same. Likewise Gibson ruined
countless companies and technologies they bought. Roland bought Cakewalk.
And Roland actually made software and music hardware. How'd that workout for Sonar users? Bandlab may have it on life support but it will never be what it once was.
The verdict is still out on Yamaha's scooping up Steinberg and Line 6 AND Ampeg. And Korg's grabbing Marshall & Vox.
Sometimes these things work out. But just as often they do not.
Personally, I used to work for Presonus & am a long time Studio One
user. I'm not ready to jump ship just yet.....but I'm keeping a very close
watch on how this buyout progresses.
Would you prefer the usual wild speculations to pass without comment?CapnLockheed wrote: Mon Dec 20, 2021 5:55 pm At last a meaningful response with pertinent questions instead of the usual KVR snark fest.
If they're coming from you.....then absolutely YES!chk071 wrote: Mon Dec 20, 2021 6:19 pmWould you prefer the usual wild speculations to pass without comment?CapnLockheed wrote: Mon Dec 20, 2021 5:55 pm At last a meaningful response with pertinent questions instead of the usual KVR snark fest.
BWAHAHAHAHA!! May the joyous holiday season bring you all that you deserve!chk071 wrote: Mon Dec 20, 2021 9:30 pm Hoo, I sense big mouth.
Lots of speculation, and a lot of opinion vs. facts in your posts. Not my fault if you're not able to grasp your own thoughts.

Thank you. And happy speculations over the holiday season about what the "bean counters" will do with your ex-company.CapnLockheed wrote: Mon Dec 20, 2021 11:15 pm BWAHAHAHAHA!! May the joyous holiday season bring you all that you deserve!
Frohe Weihnachten mein Freund!!
Really? Is that all you've got?? What an incredibly weak response. YOU made Presonus Software the object of discussion here. So you have actual proof that Fender USA purchased Presonus Software Germany? All I did was mention the actual FACT that Presonus Software is a separate entity. No I did not "work" for Presonus Software did you? Are you secretly Matthias? Or are you just talking out of the wrong orifice?? That would be my guess. I also happen to have friends that work for Presonus Software and have family in Berlin. So, unless YOU have some actual FACTS to back up your BS accusations.....I strongly suggest you STFU.I doubt that you worked for Presonus Software, which was the company in question here, if you didn't notice.
https://answers.presonus.com/25313/how- ... gine-errorchk071 wrote: Mon Dec 20, 2021 4:48 pmI somehow never ran into it.Resonant- Serpent wrote: Mon Dec 20, 2021 4:16 pm Presonus, on the other hand, can't even kill the 666 Noise Blast bug that's been going on for years.
What do you have to do to do so?
So? What bearing does that have in regards to the original post?Resonant- Serpent wrote: Tue Dec 21, 2021 2:15 amhttps://answers.presonus.com/25313/how- ... gine-errorchk071 wrote: Mon Dec 20, 2021 4:48 pmI somehow never ran into it.Resonant- Serpent wrote: Mon Dec 20, 2021 4:16 pm Presonus, on the other hand, can't even kill the 666 Noise Blast bug that's been going on for years.
What do you have to do to do so?
https://www.reddit.com/r/StudioOne/comm ... bus_issue/
https://www.reddit.com/r/StudioOne/comm ... _suddenly/
https://audiosex.pro/threads/studio-one ... sue.22398/
https://forums.presonus.com/viewtopic.p ... 978b26548f
https://forums.presonus.com/viewtopic.p ... &hilit=666
I have few worries about Yamaha buying anyone. Yamaha is enormous and the vast majority of that revenue is from sales of musical instruments and gear. They are also diversified into other areas of business, but they are a Japanese mega corporation, not a venture capital firm, so hearing you lump them in with Mitt Romney’s dealings is just weird. Yamaha is more akin to Roland (although WAY bigger) who despite your post, were not the ones who ran Cakewalk into the dirt, that would have happened after Roland sold that division to Gibson, and Gibson had their much talked about issues.CapnLockheed wrote: Mon Dec 20, 2021 5:44 pmNo kidding smart@ss. And did they decide to change Steinberg's copy protection
scheme that year too??That also says nothing to their more recent acquisitions
Line 6 & Ampeg.
Did you notice that this thread is about Studio One? Obviously not.CapnLockheed wrote: Tue Dec 21, 2021 12:22 amReally? Is that all you've got?? What an incredibly weak response. YOU made Presonus Software the object of discussion here.I doubt that you worked for Presonus Software, which was the company in question here, if you didn't notice.
As I said, a big mouth. Even worse, an internet big mouth.CapnLockheed wrote: Tue Dec 21, 2021 12:22 am So, unless YOU have some actual FACTS to back up your BS accusations.....I strongly suggest you STFU.
I also have an abundance of rompler sounds, Sampletank 4, Kontakt 6, Air Structure and more I forget about, but I rarely use them. I used to use rompler sounds in all my songs, but lately its just synths. And of late most of the sounds I use I are either Studio Ones onboard synths or sounds I make up by sampling something in Reaktor using Sampleone. Its simple,very quick, and does the job, and gives polyphony to Reaktors Monark synth.D-Fusion wrote: Sun Dec 19, 2021 3:57 pm
I agree.
I love Impact and Mai Tai
Sampler One is also a cool and simple sampler.
I don't use Presence at all since i have all the Rompler sounds i need elsewhere
Mai Tai is super and very versatile synth that people overlook because it is bundled in a Daw and i love that it has different Character settings and Quality setting that do what they say and change it into a Complete different sounding synth.
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